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Whispers of Avalon: Concert Band Conductor Score

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Whispers of Avalon Cover Image

Whispers of Avalon: Concert Band Conductor Score

By Everett C. Davis

Grade: 2

Item: 00-50438S

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Description
Whispers of Avalon, by Everett C. Davis, transports us to Avalon, the legendary island of magic and mystery. Said to be shrouded in mist, it is the resting place of King Arthur after his final battle. Mortally wounded, Arthur is carried to Avalon, where it is believed he will one day rise again. The sorceress Morgan le Fay, his half-sister and a powerful enchantress, dwells there, guiding the island's magic. Here, she works to heal the fallen king. A realm of whispers and wonder, Avalon exists beyond the mortal world, a place of both endings and new beginnings.

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
ISBN10: 1-4706-8135-8
ISBN13: 978-1-4706-8135-7
UPC: 038081605791
SKU: 00-50438S

More about this title

About the Composer: Everett C. Davis

Everett C. Davis

Everett C. Davis discovered music early in his childhood in Oregon and spent his formative years learning multiple instruments while balancing competitive athletics and martial arts. He pursued music formally at the University of Oregon, where he performed on French horn across multiple ensembles and gained conducting experience as an assistant to the Campus Orchestra and Horn Ensemble.

After graduating, Davis began his career teaching band and choir at Oaklea Middle School while maintaining an active performance life with the Eugene Symphony Orchestra Chorus and Eugene Symphonic Band. He continues composing alongside his teaching and performance work, drawing on his broad experience across instrumental and vocal music. In fall 2025, he will pursue a Master of Music Education degree at the Indiana University Jacobs School of Music.

Why we love this

Davis captures the ethereal atmosphere of Arthurian legend without relying on heavy orchestration or bloated harmonies. The Grade 2 accessibility means your students can actually execute the composer's vision rather than struggle through overly demanding writing, and the contest/festival designation confirms that directors at this level trust this work to represent their bands well.

What to expect

Avalon emerges through whispers and mist, neither dark nor bright but suspended in the liminal space between legend and reality. The piece captures the weight of Arthur's final journey and the transformative magic of Morgan le Fay's realm, unfolding with the patience of ancient storytelling rather than theatrical urgency.

Who it's for

Conductors leading Grade 2 concert bands who want to program something with genuine musical substance and a compelling narrative hook. Students benefit from repertoire that asks them to think about color, dynamics, and phrasing in service of a story rather than executing rote technical exercises.

How to get the most out of it

  • Balance the tonal colors to suggest mist and distance rather than playing with full weight throughout; the legend itself is about mystery, not bombast.
  • Watch the conductor score carefully for sectional voicing changes that shift the harmonic color; these moments define the narrative arc from King Arthur's journey to Morgan le Fay's healing magic.
  • Allow space between phrases to breathe; resist the impulse to fill every moment with sound, as silence itself becomes part of the storytelling.
  • Shape dynamic contours across longer sections rather than jumping between forte and piano; gradual shifts create the sense of mist moving across the island.

How to use it

Program this as the centerpiece of a concert exploring literary themes in band music, or use it strategically in a contest/festival context where the Grade 2 level and thematic coherence allow judges to hear both technical control and musical maturity. It works equally well as a season opener that establishes a more ambitious artistic direction for your band.

Skills your students will build

  • Sustaining long tones with consistent tone quality across a full phrase
  • Creating dynamic contrast and tonal color in homophonic textures
  • Following a conductor's interpretation of harmonic and textural shifts
  • Interpreting program music through focused listening and sectional ensemble work

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