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Whisper: Percussion

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Whisper: Percussion

for Three Suspended Cymbals

By Sally Beamish

Item: 98-EP72786

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 8
ISBN10: 0-57-701114-6
ISBN13: 979-0-5770-1114-1
SKU: 98-EP72786

More about this title

About the Composer: Sally Beamish

Sally Beamish is a Scottish composer whose work spans orchestral, chamber, and vocal music with a distinctive gift for orchestration and harmonic subtlety. Her compositions are performed regularly by major orchestras and ensembles worldwide, and she has earned recognition for creating music that balances contemporary sensibility with accessibility for performers and audiences alike.

Why we love this

Beamish writes for percussion with genuine understanding of what makes the section sing. The piece demonstrates her skill at creating atmospheric texture without relying on size or complexity, offering your ensemble a chance to explore nuance and ensemble listening at the highest level.

What to expect

Whisper lives up to its title: intimate, contemplative, with delicate sonorities that shift like light through water. The piece creates space and silence as compositional elements, asking performers and listeners to lean in.

Who it's for

Intermediate to advanced percussion ensembles and orchestral sections looking for contemporary repertoire that develops listening and sensitivity. This work suits programs seeking concert music that showcases percussion as a lyrical force rather than rhythmic accompaniment.

How to get the most out of it

  • Treat dynamics as the primary narrative device. The piece unfolds through soft dynamics and subtle shifts in color, so resist the urge to push volume and instead focus on the resonance within each phrase.
  • Balance sustaining instruments with pitched percussion carefully; each line needs definition without one player dominating the overall acoustic.
  • Approach the piece with the same care you'd give to a string section. The percussion writing here rewards a chamber music mentality.

How to use it

Pair this with larger orchestral works to demonstrate the range of contemporary percussion writing, or program it as an interlude between more extroverted pieces to reset the acoustic and audience energy. Its eight pages make it efficient programming that delivers considerable artistic weight.

Skills your students will build

  • Dynamic control in soft to very soft ranges
  • Listening for balance and blend across multiple sustained tones
  • Interpretation of contemporary notation and expressive markings
  • Ensemble coordination without a conductor's clear beat
  • Mallet selection and technique for tonal clarity

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