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Whirlegigg

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Whirlegigg Cover Image

Whirlegigg

By Kenneth Hesketh

Item: 12-0571567649

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Description
Whirlegigg is the middle English word for a contraption that continuously spins. A great fascination with many inventors of the medieval period was to develop a perpetual motion machine constantly turning and giving off energy. This idea is particularly apt for this piece. A simple ternary structure gives ample opportunity for both boisterous and reflective material with gyrating accompanimental figures never far away. The machine almost stops near the end, but finally musters one last burst of excitement and energy to bring the work to its close.

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Additional Details
Series: Faber Edition: Faber Wind Band Series
Publisher: Faber Music
ISBN10: 0-571-56764-9
ISBN13: 978-0-571-56764-5
UPC: 9780571567645
SKU: 12-0571567649
Instrumentation: Wind Band

More about this title

About the Composer: Kenneth Hesketh

Kenneth Hesketh is a Scottish composer whose wind band works have become staples in school and community programs across the UK and beyond. His gift for crafting accessible yet musically sophisticated pieces stems from deep familiarity with band instrumentation and the realities of rehearsal rooms at every level.

Hesketh's compositions balance immediate appeal with genuine artistic substance. His work often draws inspiration from extra-musical ideas, historical concepts, or wordplay, using these springboards to create pieces that engage both players and audiences through memorable musical imagery.

Why we love this

Hesketh captures the perpetual-motion concept in purely musical terms, with accompaniment figures that genuinely feel mechanical and hypnotic without ever becoming tiresome. The ternary structure gives you a confident arc to conduct: the boisterous outer sections allow your band to explode with energy, while the reflective middle offers a chance to showcase musicality and control before the machinery winds up again.

What to expect

Whirlegigg spins with mechanical precision and relentless momentum, yet beneath the whirring machinery lies genuine musical expression. You'll feel the band collectively caught in the piece's gravitational pull, especially as it approaches its climactic final surge of energy.

Who it's for

Wind bands seeking a programmatic work that rewards solid fundamental skills and clear articulation. The piece works equally well for a competitive or community ensemble with good rhythmic control and confidence in their ensemble sound.

How to get the most out of it

  • Treat the accompaniment patterns as the literal engine of the piece. They should maintain rhythmic precision and consistent pulse even during the quieter middle section so that the sense of inevitable return builds naturally.
  • Shape the contrast between the boisterous and reflective material by adjusting articulation and dynamic control rather than tempo. The machine never truly stops; it only slows.
  • Balance the solo voices in the middle section so they can sing expressively without losing the forward motion of the underlying figurations.
  • The final acceleration into the closing burst needs orchestral commitment from all sections. Mark that moment as a turning point in your score and build it deliberately through the preceding measures.

How to use it

This work stands brilliantly as the centerpiece of a concert focused on 20th-century innovation or mechanical/technological imagery. It also serves as an engaging opener that sets an energetic tone while remaining concert-appropriate and imaginative enough to hold an educated audience's attention.

Skills your students will build

  • Sustaining rhythmic precision in repetitive accompaniment figures
  • Contrast between boisterous and reflective musical material
  • Ensemble balance with active melodic content over busy accompaniment
  • Accelerating and decelerating ensemble tempo with control
  • Reading and executing syncopated rhythmic patterns across all sections

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