Where Falcons Fly Cover Image

Where Falcons Fly: String Orchestra Conductor Score

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Where Falcons Fly Cover Image

Where Falcons Fly: String Orchestra Conductor Score

By Adrian B. Sims

Grade: 3

Item: 00-51064S

$10.00
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Description
Inspired by falcons soaring high above the ground, Where Falcons Fly embarks on an adventurous journey through wind, storms, and rugged terrain. Modest technical demands combine with complex yet approachable harmonies in a cinematic showcase by Adrian B. Sims that is as innovative as it is thrilling! (3:10)

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Additional Details
Series: MakeMusic Symphony Strings
Publisher: MakeMusic Publications
ISBN10: 1-4706-6952-8
ISBN13: 978-1-4706-6952-2
UPC: 038081588339
SKU: 00-51064S

More about this title

About the Composer: Adrian B. Sims

Adrian B. Sims

Adrian B. Sims (b. 2000) grew up in Seattle before relocating to Maryland, where he completed his secondary education at Catonsville High School in 2018. His compositions have earned recognition at The Midwest Band and Orchestra Clinic and appeared on the Bandworld Top 100 List, while his work has won awards through the Maryland Music Educators Association Young Composers Project and the Make Music Young Composers Contest. He regularly conducts performances of his own music across Maryland schools.

Beyond composition, Sims maintains an active performance schedule as a trombonist in university ensembles at The University of Maryland, where he studies with Matthew Guilford, solo bass trombonist with the National Symphony Orchestra. His early experience included selection for the Maryland All-State Band and performances alongside the Baltimore Symphony Orchestra. He pursues a dual degree in Music Education and Composition at the University of Maryland under the mentorship of Dr. Robert Gibson and has studied with composer Brian Balmages.

Why we love this

Sims crafts a piece that delivers genuine cinematic sweep without asking your orchestra to execute technically beyond Grade 3 capabilities. The harmonic language feels contemporary and sophisticated, rewarding players with rich colors and atmospheric moments while the programmatic journey (falcons, wind, storms, terrain) gives your students a vivid narrative to inhabit. It's the rare piece at this level that doesn't sound simplified.

What to expect

The music captures wind currents and updrafts, moments of quiet observation, and surges of energy as storms build and landscape shifts beneath soaring wings. It's cinematic in scope yet intimate in execution, creating an emotional arc that holds attention from opening flight through final descent.

Who it's for

Grade 3 string orchestras ready for repertoire with harmonic sophistication and genuine musical substance. This works equally well for concert touring, festival play, or classroom performance, making it ideal for programs seeking material that challenges without overwhelming.

How to get the most out of it

  • Shape the soaring passages with long-lined phrasing that suggests sustained flight rather than stopping at each phrase mark; this emphasizes the cinematic quality Sims intends.
  • Attend carefully to dynamic transitions during the storm sections. Modest technical demands mean dynamics and articulation carry most of the dramatic weight.
  • Balance the string divisi to ensure harmonic clarity without losing the unified sound of the orchestra. These divisions support the innovative harmonies rather than fracture the ensemble.
  • Use the 3:10 duration as a rehearsal anchor; this piece moves with purpose, so keep tempo relationships intentional and avoid lingering in any single section.

How to use it

Pair this as a centerpiece concert selection or festival entry where you want your orchestra to project artistic maturity. The programmatic title also opens natural programming conversations with younger ensembles about storytelling in instrumental music, making it valuable for both performance and educational contexts.

Skills your students will build

  • Sustaining long melodic lines with consistent tone and direction
  • Balancing string divisi to maintain harmonic clarity
  • Responding to dynamic and articulation shifts as primary expressive tools
  • Interpreting programmatic cues and cinematic pacing
  • Reading and executing contemporary harmonic language

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