Where Do You Start?: E-Z Play Today

This arrangement gives pianists a chance to inhabit the interpretive space Streisand herself occupies. The three pages contain exactly what matters: clear harmonic movement, singable melodic lines, and room for the player to develop their own phrasing without unnecessary complexity getting in the way.

Intimate and introspective. The melody unfolds with the kind of vulnerability that only comes from singers and pianists who trust their material completely. There is elegance here, but no stiffness; it breathes like a conversation.

Intermediate and advanced pianists who want to explore jazz standards with a vocalist's sensibility. This works equally well for solo study and as an accompaniment for student singers learning to navigate the American songbook.

• Listen to Streisand's recording before the first rehearsal. Note her treatment of sustained notes and how she shapes phrases at the micro level, then decide where your interpretation aligns or diverges.
• Don't rush the rubato. Jazz standards live in the space between strict time and complete freedom. Your left hand should have enough security in the harmonic structure that your right hand can breathe.
• Commit to your dynamics. The melody can disappear into the accompaniment if you play everything at a consistent volume. Streisand's voice commands attention; your touch should do the same.

Feature this on a jazz or cabaret concert where the focus is on interpretive sophistication rather than technical display. It pairs naturally with other standards from the Great American Songbook and provides a moment of lyrical reflection between more energetic pieces.

• Voicing jazz harmony and recognizing functional chord progressions
• Rubato and phrase shaping in the context of a vocal melody
• Balancing accompaniment texture with melodic prominence
• Interpreting standard notation through the lens of recorded performance