When You Wish Upon a Star Cover Image

When You Wish Upon a Star: SATB Choral Octavo

$2.35 USD
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When You Wish Upon a Star Cover Image

When You Wish Upon a Star: SATB Choral Octavo

from Walt Disney's Pinocchio

Lyrics by Ned Washington, music by Leigh Harline / arr. Mark Hayes

Item: 00-51461

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Description
Proudly presenting the ultimate choral arrangement of Disney's signature song! No matter which voicing you select, singers will cherish the sweeping melody, lush harmonies, and seemingly magical modulations. Mark's rhapsodic piano part and colorful orchestration vividly illustrate the "dreams come true" sentiment of the text. Begins with a sparkling introduction and ends with chills.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081589619
SKU: 00-51461

More about this title

About the Composer: Leigh Harline

Leigh Harline (1907-1969) composed music for over 40 Disney animated films during Hollywood's golden age. His gift for melody and orchestration shaped the sound of classic Disney storytelling, earning him an Academy Award for Best Original Score in 1940 for Pinocchio. Harline understood how to write music that serves the emotional heart of a story while remaining accessible and memorable to audiences of all ages.

Beyond film work, Harline composed concert pieces and choral music that brought the same clarity and expressiveness to concert stages. His compositions remain central to music education repertoire because they demonstrate how strong melodic writing and harmonic sophistication can coexist with genuine emotional directness.

Why we love this

Mark Hayes's arrangement honors the song's iconic melody while treating it with genuine sophistication. The harmonic language feels both lush and singable, the modulations arrive naturally rather than feeling forced, and the supporting parts give every section real melodic interest instead of padding. This reads as a legitimate concert arrangement, not a novelty.

What to expect

The piece captures the yearning optimism of its text with sweeping lines and unexpected harmonic turns that suggest both wonder and vulnerability. It opens with almost delicate sparkle and builds toward genuine emotional intensity, ending with the kind of soaring, unified sound that creates tangible connection between singers and listeners.

Who it's for

This works for any SATB choir with at least moderate sight-reading ability and comfort with modulations. Community choirs, church choirs, high school and college ensembles, and show choirs all have performed this successfully. The arrangement rewards singers who enjoy lush harmonies and gives audiences music they recognize with genuine musical substance.

How to get the most out of it

  • Shape the opening introduction carefully with your accompanist. The sparkling quality comes from clarity and rhythmic precision, not excessive tempo. Let the harmonic color emerge gradually.
  • Balance the melody through each voicing change so the tune remains the anchor even when harmony becomes complex. Altos and tenors carrying inner lines need support from sopranos and basses.
  • Find the emotional arc of the text and let it guide your phrasing through the modulations. These key changes should feel like a deepening of hope and longing, not technical display.
  • Rehearse the final climax section separate from the full arrangement. The written dynamics and harmonic intensity require unified vocal energy and precise ensemble control to land the 'chills' the arrangement promises.

How to use it

Program this as a standalone feature piece on a concert that includes other standard choral repertoire, or pair it with other Disney or film-inspired arrangements if you're building a nostalgia-themed concert. The 12-page octavo length and concert designation make it substantial enough to anchor a program set without requiring padding. It works equally well as a spring concert feature or holiday-adjacent programming since its sentiment transcends season.

Skills your students will build

  • Reading and singing through multiple modulations while maintaining intonation
  • Blending complex four-part harmonies with consistent tone quality
  • Balancing melodic and harmonic roles across all voice parts
  • Shaping a complete musical narrative from introduction through climax
  • Navigating rhythmic precision in an accompaniment-driven arrangement

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