When Words Are Not Enough Cover Image

When Words Are Not Enough: SATB Choral Octavo

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When Words Are Not Enough Cover Image

When Words Are Not Enough: SATB Choral Octavo

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-49836

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Description
The ultimate music-themed opener/closer for concert and festival programs! A tuneful hook and full choral writing pay tribute to the art of song.

The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
  • Assignment, recording, and assessment tools within MakeMusic Cloud
  • Part-predominant and accompaniment tracks
  • Printable sheet music (with a standard MakeMusic Cloud subscription)
  • Correlated rehearsal guides and performance notes
  • Rights to perform in a live or virtual setting

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, When Words Are Not Enough: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081571508
SKU: 00-49836

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over thirty years, first as Director of School Choral and Vocal Publications at major educational publishers, then as a prolific composer in her own right. Since 1987, she has received annual ASCAP Special Music Awards and maintains more than 600 published choral works alongside 75 larger musicals and songbooks. She has led honor choirs at Lincoln Center, Carnegie Hall, and The Kennedy Center, and taught music at Oakland University, Jersey City State College, and Meredith College.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). A Cleveland native now based in Wake Forest, North Carolina with her husband and collaborator Jay Althouse, she served as Chair of the Board of Trustees for Omicron Delta Kappa and received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021.

Why we love this

Albrecht and Althouse have crafted a piece that does exactly what an opener or closer should do: it establishes musicality and purpose without demanding excessive rehearsal time. The tuneful hook stays with audiences, while the full SATB writing gives every section meaningful material. The PerformancePlus+ integration makes this efficient to teach, with built-in tools for assessment and part-specific practice.

What to expect

Affirming and reflective. The piece honors the act of singing itself, building from gentle support to full ensemble voice. It carries warmth without sentimentality, making it resonate with both performers and listeners.

Who it's for

Choirs at the intermediate level and above who need a substantial yet accessible programming piece that works equally well at the start or end of a concert. Festival and competition choirs will find the recorded accompaniment and integrated rehearsal guides particularly useful for focused preparation.

How to get the most out of it

  • Start rehearsals with the recording so singers internalize the melody's shape and phrasing before focusing on blend. A strong tonal memory makes sectional work more productive.
  • Experiment with the accompaniment track at different tempos during early rehearsals; this piece responds well to subtle tempo flexibility that brings out the text's emotional weight.
  • Assign singers specific responsibilities using the MakeMusic Cloud assignment tools early, so they can access their part-predominant tracks independently and arrive at rehearsal more prepared.
  • Consider how your staging positions the choir relative to the accompaniment during performance. The piece's intimate relationship between voices and piano deserves clear sightlines.

How to use it

Open a concert with this to set a thoughtful tone and introduce your choir's sound effectively. Alternatively, use it as a finale that sends the audience out with music about music itself, creating a satisfying full-circle moment. It pairs naturally with other contemporary secular works while standing beautifully alone.

Skills your students will build

  • SATB blend and balance across sustained passages
  • Interpretation of text through phrasing and dynamic shaping
  • Confidence with recorded accompaniment independence
  • Part-singing security through isolated track practice

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