What Wondrous Hope (A Service of Promise, Grace and Life) (Praise Band) Sheet Music Preview

What Wondrous Hope (A Service of Promise, Grace and Life) (Praise Band): Choral Instrumental Pak

By Heather Sorenson / By Joseph M. Martin

Item: 35-PK00454766

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Description
Following the success of The Thrill of Hope for the Christmas season comes What Wondrous Hope for Lent, Holy Week and Eastertide. Mingling traditional and contemporary elements, this cantata tells the story of Christ's ministry, passion and resurrection with thoughtful narration by Pamela Stewart. Great hymnody and modern worship songs are woven together in a way that is especially useful for the traditional/transitional church. Bringing the various services of the season into community, this work provides for two distinct endings for optimal programming flexibility. A full line of support products is available to assist learning and performance. This outstanding balance of ancient and modern music is a thoughtful choice for churches exploring a diversity of musical styles in worship. Songs include: Untitled; Speak, O Lord; Come, Ye Seekers; Home (The Arms of God); Hosanna (with "All Glory, Laud and Honor"); Behold the Lamb (Communion Hymn); Gethsemane Hymn; What Wondrous Love Is This; Mercy Tree; Easter Song. Score and Parts (fl, ob, cl, hn 1-2, perc 1-2, acgtr, b, dm, pno, vn 1-2, va, vc) available as a Printed Edition and as a digital download. Parts for Praise Band (perc 1-2, acgtr, b, dm, pno) also available as a digital download.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00454766

More about this title

About the Authors

Heather Sorenson
Heather Sorenson brings the perspective of a Dallas-based composer and arranger whose music spans churches, schools, universities, and concert halls across the globe. Known initially as an accomplished pianist, she has built her reputation through distinctive choral, piano, and orchestral compositions that command attention in performance spaces and competitions worldwide.

What sets Sorenson apart is her fluency across musical boundaries. She navigates traditional and contemporary Christian music with equal confidence, layering them together into a signature sound that resists easy categorization. Her commissions reflect this range: Texas A&M University, the John F. Kennedy Memorial Foundation, and the Carnegie Hall premiere of the oratorio EXODUS stand alongside countless works for churches and individual artists.

Education and mentorship have shaped her career as much as composition. Sorenson taught elementary music at Grace Academy of Dallas, served as adjunct faculty at Baylor University, and regularly leads master classes in piano and songwriting. She appears frequently as a guest conductor and speaker at churches, worship conferences, schools, and universities. When not composing or traveling as a lecturer and guest artist, she dedicates her energy to benefit concerts supporting nonprofit organizations close to her heart.
Joseph M. Martin
Joseph Martin's musical foundation began in North Carolina and took shape at Furman University, where he completed his undergraduate degree in piano performance. He later earned his master's degree from the University of Texas at Austin, where he also spent five years teaching in the Piano Pedagogy Department. His performance credentials span solo recitals and collaborations with orchestras across the United States and Mexico, including a featured appearance with the Guadalajara Symphony Orchestra following his win in the Nina Plant Wideman Competition.

Today, Martin channels his artistry into church music and conferences for worship leaders, though he remains an active concert performer. His compositions and arrangements reach audiences in settings ranging from Carnegie Hall to regional performance venues to countless Sunday services in churches throughout North America. His gift for writing across multiple styles and genres keeps both performers and listeners engaged with fresh material.

Martin resides in Austin with his wife Sue and their children Jonathan and Aubrey.

Why we love this

What Wondrous Hope succeeds because it trusts your congregation's musical intelligence. Rather than choosing between hymn tradition and contemporary expression, Sorenson and Martin weave them together without apology or awkward compromise. The flexible two-ending structure acknowledges real programming needs during a liturgically demanding season.

What to expect

The music moves between quiet reflection and assured proclamation, allowing you to sit with sorrow and uncertainty before arriving at resurrection hope. Moments of sparse acoustic arrangement create intimacy; fuller orchestral sections (with strings and winds) elevate the proclamation of redemption. The blend of familiar hymn text with contemporary songwriting gives listeners something to hold onto while encountering fresh musical expression.

Who it's for

This work serves churches where both traditional hymnody and contemporary worship coexist in the congregation's musical vocabulary. Directors seeking Easter repertoire that honors liturgical depth while remaining accessible to praise band musicians and mixed volunteer choirs will find this particularly useful during the transitional weeks of Lent and Holy Week.

How to get the most out of it

  • Let the narration breathe. Pamela Stewart's text is integral to the story arc, not incidental. Resist the urge to rush between choral sections; silence and space around her words deepen the emotional journey.
  • Balance the acoustic guitar and drums with intentionality. These instruments anchor the praise band sound but can easily overwhelm the choir if not carefully monitored in rehearsal. Start by recording rough sketches to hear the blend objectively.
  • Emphasize textural variety across the ten songs. Moving from 'Speak, O Lord' into 'Come, Ye Seekers' requires deliberate shifts in energy and focus. Mark these transitions in your score during early rehearsals.
  • Secure the key relationships between consecutive songs before full ensemble rehearsals. The piece gains coherence when musicians understand how each movement connects to the larger arc of Lent and Resurrection.

How to use it

Schedule this as your Holy Week to Easter arc, using both endings as needed: one for Palm Sunday or Maundy Thursday services, the other for Easter morning or the Easter vigil. Alternatively, program individual movements within existing spring worship series if a full cantata performance feels too ambitious for your ensemble timeline.

Skills your students will build

  • Singing across traditional hymn and contemporary worship idioms without losing musical character
  • Interpreting text with attention to narrative arc and emotional subtext
  • Balancing choir blend with praise band instrumentation (acoustic guitar, drums, bass, keys)
  • Reading and responding to dynamic dialogue between accompaniment and vocal line
  • Collaborating with spoken word narration to support structural and emotional momentum

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