What Wondrous Hope (A Service of Promise, Grace and Life) Sheet Music Preview

What Wondrous Hope (A Service of Promise, Grace and Life): Choral Instrumental Pak

By Joseph M. Martin / By Heather Sorenson

Item: 35-PK00451975

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Product Price Quantity
What Wondrous Hope (A Service of Promise, Grace and Life) - Full Score: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Flute: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Oboe: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Soprano Sax (sub. Oboe): Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Bb Clarinet: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - F Horn 1 2: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Alto Sax (sub. Horn): Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Percussion: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Acoustic Guitar/Electric Bass: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Capo Guitar: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Drums: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Piano: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Violin 1: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Violin 2: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Viola: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Cello: Choral Instrumental Pak $55.00
What Wondrous Hope (A Service of Promise, Grace and Life) - Keyboard String Reduction: Choral Instrumental Pak $55.00

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Description
Following the success of The Thrill of Hope for the Christmas season comes What Wondrous Hope for Lent, Holy Week and Eastertide. Mingling traditional and contemporary elements, this cantata tells the story of Christ's ministry, passion and resurrection with thoughtful narration by Pamela Stewart. Great hymnody and modern worship songs are woven together in a way that is especially useful for the traditional/transitional church. Bringing the various services of the season into community, this work provides for two distinct endings for optimal programming flexibility. A full line of support products is available to assist learning and performance. This outstanding balance of ancient and modern music is a thoughtful choice for churches exploring a diversity of musical styles in worship. Songs include: Untitled; Speak, O Lord; Come, Ye Seekers; Home (The Arms of God); Hosanna (with "All Glory, Laud and Honor"); Behold the Lamb (Communion Hymn); Gethsemane Hymn; What Wondrous Love Is This; Mercy Tree; Easter Song. Score and Parts (fl, ob, cl, hn 1-2, perc 1-2, acgtr, b, dm, pno, vn 1-2, va, vc) available as a Printed Edition and as a digital download.Parts for Praise Band (perc 1-2, acgtr, b, dm, pno) also available as a digital download.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00451975

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About the Authors

Joseph M. Martin
Joseph M. Martin grew up in North Carolina and pursued advanced training in piano performance, earning his bachelor's degree from Furman University in Greenville, South Carolina, and his master's degree from the University of Texas at Austin. He spent five years on the faculty of the Piano Pedagogy Department at UT Austin, where he shaped the next generation of piano teachers while maintaining an active performance schedule.

His career as a concert pianist has taken him across the United States and into Mexico, where he won the Nina Plant Wideman Competition and performed as a guest soloist with the Guadalajara Symphony Orchestra. A solo recital he gave at Ex-convento del Carman received national broadcast coverage. His recordings now reach audiences in venues ranging from Carnegie Hall to regional theaters and, most importantly, in hundreds of church services throughout the United States and Canada.

Today, Martin divides his energy between performing in worship settings and writing music for church musicians and ensembles. His catalog reflects the breadth of his musical interests, and his arrangements and original compositions continue to surprise performers with their inventiveness and accessibility. He makes his home in Austin, Texas with his wife Sue and their children Jonathan and Aubrey.
Heather Sorenson
Heather Sorenson is a Dallas-based composer, arranger, and orchestrator whose music reaches audiences across churches, schools, universities, and concert halls worldwide. Though she first gained recognition as a pianist, her reputation now rests on her distinctive choral, piano, and orchestral works. She moves fluidly between traditional and contemporary Christian music, blending both idioms into a signature style that sets her apart in the field.

Her commissions span prestigious institutions including Texas A&M University, the John F. Kennedy Memorial Foundation, and Carnegie Hall, where her oratorio EXODUS premiered. Beyond composition, Sorenson has shaped the next generation of musicians through four years teaching elementary music at Grace Academy of Dallas, adjunct faculty work at Baylor University, and regular master class instruction in piano and songwriting.

Currently, Sorenson balances an active composing schedule with frequent appearances as a guest conductor and speaker at churches, worship conferences, and universities across the country. She regularly leads sessions at educational institutions and dedicates additional time to benefit concerts supporting causes important to her. Based in the Dallas area, she continues to expand her reach as both a creator and educator.

Why we love this

Martin and Sorenson have crafted something churches actually need: a Lenten/Easter cantata that doesn't force a false choice between tradition and contemporary worship. The intelligent weaving of hymnody with modern songs, supported by thoughtful narration, creates a cohesive arc without sacrificing the liturgical weight the season demands. Two distinct endings give you real flexibility for how your community gathers during this span of services.

What to expect

A journey of realization. The music moves through Christ's ministry and passion with narrative clarity, balancing moments of vulnerability and lament against the hope embedded in both ancient and modern song. By Easter, the accumulated weight of the Lenten journey makes the resurrection songs land with earned joy rather than imposed brightness.

Who it's for

Church musicians leading choirs with instrumental capability who serve congregations comfortable with both traditional hymnody and contemporary worship expressions. This works especially well for communities navigating the liturgical year intentionally and seeking a unified musical statement across Lent, Holy Week, and Easter services.

How to get the most out of it

  • Balance the narration carefully in rehearsals; Pamela Stewart's text sets up each musical section, so clarity of diction matters as much as the singing itself.
  • The optional praise band parts (percussion, acoustic guitar, bass, drums, piano) can function independently, making this accessible whether you have a full orchestra or a smaller ensemble.
  • Explore the two endings during sectional rehearsals so singers understand the structural choice and can commit fully to whichever conclusion you select for your service.
  • Honor the traditional hymn tunes by letting them breathe; the modern worship material will land more freshly when the hymnody isn't rushed.

How to use it

Schedule this as your primary musical anchor for the entire Lenten cycle, allowing different sections to be featured in various services (Ash Wednesday, Palm Sunday, Maundy Thursday, Good Friday, Easter Sunday). The flexibility of two endings means you can use one for a Good Friday service and the other for your Easter celebration, creating intentional liturgical bookends. Alternatively, present it as a single comprehensive Holy Week experience, using both endings within one extended service or concert performance.

Skills your students will build

  • Singing across a wide stylistic range within a single work (traditional hymn singing, contemporary worship idioms, and narrative clarity)
  • Ensemble listening with instrumental parts, particularly balancing choir sound against orchestral or praise band textures
  • Interpreting text-driven narratives musically; understanding how different song styles advance a larger theological arc
  • Reading and responding to cues from instrumental accompaniment in varying instrumental combinations

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