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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, What Will Santa Claus Say? (When He Finds Everybody Swingin'): Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
Jump straight in and assign it today.
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More about this title
About the Composer: Louis Prima
Louis Prima (1910-1978) was an Italian-American singer, songwriter, and bandleader who became a cornerstone of swing and novelty music in the mid-20th century. His infectious energy, comedic timing, and ability to blend jazz sophistication with accessible melodies made him a fixture of New Orleans jazz culture and beyond. Prima's catalog spans from serious jazz instrumental work to playful vocal numbers that showcase both his musicianship and his gift for entertaining an audience.
Why we love this
This arrangement captures Prima's signature blend of musical wit and swing groove without demanding virtuosic jazz chops. The chromatic harmonies are tight and contemporary enough to feel sophisticated, while the novelty subject matter keeps singers engaged and audiences smiling. It's the kind of holiday piece that actually feels fun to sing rather than obligatory.
What to expect
Quirky, propulsive, and undeniably joyful. The tune practically bounces off the page with the confidence of a bandleader who knows exactly how to get an audience on its side. There's sophistication in the harmonic writing, but it wears that sophistication lightly, letting the infectious swing groove and playful lyrics carry the day.
Who it's for
Choirs with established jazz experience and comfort with swing idioms will thrive with this piece. It's particularly suited to groups already familiar with syncopation, chromatic harmony, and the rhythmic precision swing demands. Holiday concerts seeking a contemporary, entertaining alternative to traditional carols will find this a standout choice.
How to get the most out of it
- Lock the rhythm section into the swing feel early in rehearsal. The groove drives everything, and once your singers feel that pocket, the chromatic lines will sit naturally.
- Balance the humor in Prima's melody with genuine musicality in the harmonic voices. These singers need to hear their lines as jazz voices, not comic relief.
- Use the recorded accompaniment to internalize the swing articulation and rhythmic placement, especially for the tighter unison passages.
- Emphasize the crisp consonants in "swingin'" and similar rhythmic moments. The novelty energy depends partly on clarity of diction paired with the laid-back swing feel.
How to use it
Program this as a closing number or second-act opener on a holiday concert. Its energy and novelty factor make it an excellent palate cleanser between more traditional seasonal music or as a bridge to contemporary arrangements. It also works beautifully on a concert mixing jazz standards with holiday selections, as it speaks to both traditions simultaneously.
Skills your students will build
- Swing rhythmic articulation and placement
- Reading and executing chromatic harmonic movement in close voicing
- Jazz phrasing and stylistic interpretation
- Ensemble precision in syncopated rhythmic passages
- Blending humor with musical credibility in novelty repertoire