What's Up Sheet Music Preview

What's Up: E-Z Play Today

As performed by 4 Non Blondes

Item: 35-DS00448681

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$4.99
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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00448681

More about this title

About the Artist: 4 Non Blondes

4 Non Blondes emerged from Los Angeles in the early 1990s with a sound that blended hard rock aggression, pop accessibility, and Linda Perry's commanding vocal presence. Their 1993 debut album became a cultural touchstone, powered by anthemic hooks and lyrics that spoke directly to a generation navigating uncertainty and frustration. Perry's songwriting combines memorable melodies with raw emotional honesty, making their catalog enduring material for music students and performers.

Why we love this

This arrangement captures the infectious energy of one of the 1990s' most recognizable rock hooks while keeping the demands reasonable for intermediate pianists. The five-page format strikes a balance between substance and accessibility, giving students a complete, satisfying piece to perform without overwhelming complexity. It's exactly the kind of contemporary song that motivates students to practice because they actually want to play it.

What to expect

Energetic and propulsive, with that signature 1990s rock-pop urgency that refuses to let up. The arrangement captures the song's infectious momentum while preserving the emotional core that made the original resonate with listeners. Playing it should feel like you're riding a controlled wave of rock confidence.

Who it's for

This works for intermediate to early advanced pianists who want to tackle contemporary material with genuine appeal. It's also valuable for students in pop or rock ensembles looking to strengthen their keyboard foundation, and for teachers building repertoire that connects classroom learning to students' own musical lives.

How to get the most out of it

  • Lock in the rhythmic pocket early. This song lives in its groove, so nail the consistent quarter-note pulse and syncopated figures before layering in dynamics.
  • Layer the accompaniment gradually during rehearsal. Build from a sparse foundation (left hand bass line alone) before adding chordal support, then melody. This prevents the arrangement from feeling cluttered.
  • Shape the vocal line with intention. The melody has natural peaks and valleys; use dynamics and slight rubato around the hook to let the phrase breathe rather than playing it mechanically.
  • Balance the bass and treble voices. The left hand often carries harmonic weight in this arrangement, so resist the urge to let it get buried under a heavy right hand.

How to use it

This pairs naturally with other 1990s rock material in a student recital or casual performance setting. It also works as a bridge between classical study and contemporary styles, showing pianists how transferable their technique is. Consider featuring it in a pop showcase or as a palate cleanser between heavier classical selections.

Skills your students will build

  • Syncopated rhythmic reading in a contemporary context
  • Left-hand independence and bass line consistency
  • Maintaining groove while executing melodic ornamentation
  • Dynamic shaping and phrasing in a non-classical idiom
  • Coordination of chordal accompaniment with independent melody

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