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What Praise Can I Play on Sunday?, Book 6: November & December Services: Piano Book

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What Praise Can I Play on Sunday?, Book 6: November & December Services Cover Image

What Praise Can I Play on Sunday?, Book 6: November & December Services: Piano Book

10 Easily Prepared Piano Arrangements

Arranged by Carol Tornquist

Level: Late Intermediate / Early Advanced

Item: 00-38787

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Description
What Praise Can I Play on Sunday? is a series of six books of worship favorites, each book designed for busy pianists who require accessible arrangements. Book 6 contains selections for holidays and holy days that occur during November and December, including All Saints' Day, Thanksgiving, Christ the King Sunday, Advent, and Christmas. Titles: 10,000 Reasons (Matt Redman and Jonas Myrin) * All the Earth Will Sing Your Praises (Paul Baloche) * Breath of Heaven (Mary's Song) (Amy Grant and Chris Eaton) * Emmanuel (Bob McGee) * Find Us Faithful (Jon Mohr) * Glory in the Highest (Chris Tomlin) * Immanuel (From the Squalor of a Borrowed Stable) (Stuart Townend) * Joy Has Dawned (Keith Getty and Stuart Townend) * Joy to the World (Unspeakable Joy) (Chris Tomlin) * Mary, Did You Know? (Mark Lowry and Buddy Greene). A Federation Festivals 2024-2028 selection.

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-8410-0
ISBN13: 978-0-7390-8410-6
UPC: 038081428772
SKU: 00-38787

More about this title

About the Arranger: Carol Tornquist

Carol Tornquist

Carol Tornquist began playing piano by ear at age four in northwestern Pennsylvania and went on to study at the Warren Conservatory of Music before earning her B.S. in Music Education from SUNY Fredonia. After teaching vocal music in upstate New York and instructing for the Yamaha Music School internationally, she moved to Nashville where a visit with her songwriter brother John W. Thompson led to her first transcription work.

Over the past two decades, Tornquist has arranged more than four hundred solo piano collections, establishing herself as a trusted voice in worship music since becoming an Alfred author in 2010. Church musicians consistently praise her arrangements for their craftsmanship, playability, and versatility across traditional, blended, and contemporary settings. Her harmonic sophistication and rhythmic imagination transform familiar melodies into fresh musical statements while remaining accessible to pianists working within real-world time constraints.

Why we love this

Tornquist understands what busy church pianists actually need: arrangements that sound polished and intentional without demanding months of practice per piece. Her harmonic language adds sophistication to well-loved songs without straying into territory that requires advanced technique, making these selections immediately usable for Sunday services while remaining engaging to play repeatedly throughout the season.

What to expect

These arrangements inhabit the space between hymn and contemporary worship music, honoring the emotional core of each song while introducing modern harmonic colors and rhythmic vitality. There is warmth throughout Book 6, from the meditative quality of Advent selections to the jubilant energy of Christmas pieces, and Tornquist's fingerprint remains consistent: clear melodies, intelligent accompaniment figures, and arrangements that feel both fresh and deeply familiar.

Who it's for

Church pianists managing multiple services or rehearsals who need reliable, immediate-ready arrangements for November and December worship. Late intermediate through early advanced pianists will find enough harmonic interest and rhythmic variety to stay engaged, while the level remains accessible for pianists with limited preparation time.

How to get the most out of it

  • Balance melodic passages against accompanying figuration by maintaining clarity in the right hand while keeping left hand rhythms supportive rather than assertive; Tornquist's voicings reward this balance.
  • Respect the notated tempo markings and dynamics as architectural elements; they guide phrasing and shape how familiar melodies reveal themselves in new harmonic contexts.
  • Listen through the full arrangement before the service; each piece builds its own momentum, and knowing the arc prevents hesitation between sections.
  • Use sustain pedal judiciously to enhance harmonic color without muddying the left hand texture, particularly in arrangements with richer voicings.

How to use it

Book 6 serves as a complete seasonal resource for November and December worship services, allowing you to rotate selections across multiple Sundays without repeating arrangements. The collection works equally well for prelude, offertory, or postlude contexts, and the range of tempos and moods makes pairing pieces with specific service elements straightforward.

Skills your students will build

  • Voicing contemporary Christian and hymn melodies with sophisticated but accessible harmonies
  • Managing rubato and flexibility while maintaining rhythmic integrity in accompanied arrangements
  • Pedal control in pieces with richer harmonic textures
  • Sight-reading fluency in late intermediate repertoire
  • Interpretation of unfamiliar melodies through harmonic context

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