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What Praise Can I Play on Sunday?, Book 2: March & April Services: Piano Book

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What Praise Can I Play on Sunday?, Book 2: March & April Services Cover Image

What Praise Can I Play on Sunday?, Book 2: March & April Services: Piano Book

10 Easily Prepared Piano Arrangements

Arranged by Carol Tornquist

Level: Late Intermediate / Early Advanced

Item: 00-38783

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Description
What Praise Can I Play on Sunday? is a series of six books of worship favorites, each book designed for busy pianists who require accessible arrangements. Book 2 contains selections for holidays and holy days that occur during March and April, including Lent, Palm Sunday, Communion, Good Friday, and Easter. It also contains several general praise songs. Titles: Amazed (Jared Anderson) * Beautiful One (Tim Hughes) * Everlasting God (Brenton Brown) * Hallelujah (Your Love Is Amazing) (Brenton Brown and Brian Doerksen) * He Knows My Name (Tommy Walker) * Indescribable (Jesse Reeves and Laura Story) * Jesus Messiah (Chris Tomlin) * Mighty to Save (Hillsong) * The Power of the Cross (Oh, to See the Dawn) (Keith Getty and Stuart Townend) * The Risen Christ (Keith Getty and Phil Madeira). A Federation Festivals 2024-2028 selection.

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7390-8406-2
ISBN13: 978-0-7390-8406-9
UPC: 038081428734
SKU: 00-38783

More about this title

About the Arranger: Carol Tornquist

Carol Tornquist

Carol Tornquist began playing piano by ear at age four in northwestern Pennsylvania and went on to study at the Warren Conservatory of Music. She earned her B.S. in Music Education from the State University of New York at Fredonia and taught vocal music in upstate New York while instructing for the international Yamaha Music School.

A visit to her songwriter brother in Nashville led to transcription work that launched her career as an arranger. Over four hundred solo piano collections bear her name, and her work with Alfred has made her a trusted voice in church music since 2010. Pianists consistently praise her arrangements for their craftsmanship, singability, and fit across traditional, blended, and contemporary worship settings. Her harmonic and rhythmic choices refresh familiar melodies while remaining accessible to players at various levels.

Why we love this

Tornquist knows exactly what a church pianist needs on Sunday morning: confident, idiomatic arrangements that sound fresh without demanding excessive rehearsal time. These ten pieces span the liturgical calendar of Lent and Easter while including standalone praise songs, giving you flexibility across the March and April season. The late intermediate voicings and rhythmic clarity make this collection equally valuable for volunteer pianists and student recitalists.

What to expect

This collection captures the emotional arc of the Easter season: the quieter introspection of Lent, the strength and certainty of Palm Sunday proclamation, and the profound hope of resurrection. Tornquist's arrangements blend contemporary harmonic sensibilities with clear melodic writing, creating a sound that honors both the message and the musician's voice.

Who it's for

Church pianists juggling multiple Sundays and limited preparation time will find immediate, dependable arrangements in this collection. It's also ideal for piano students working toward late intermediate proficiency who want to perform meaningful sacred music in recitals or lesson settings.

How to get the most out of it

  • Honor the harmonic color by listening closely to the inner voices, particularly in the gentler passages like 'The Risen Christ' and 'Beautiful One.' Tornquist's voicings often reward subtle pedal awareness.
  • Keep the rhythmic energy precise in contemporary pieces like 'Amazed' and 'Mighty to Save.' These songs feel loose only when the underlying pulse is rock solid.
  • Balance the melody line with the left hand in hymn-based arrangements. The supporting figures should enhance, not compete with, the primary tune.
  • Explore the dynamic range of each piece before Sunday. Knowing where to lean in and where to pull back ensures the arrangements serve the broader worship context, not overshadow it.

How to use it

Use individual pieces as Sunday service accompaniments aligned with the liturgical calendar, or program several selections as a recital suite exploring themes of faith and renewal. The collection's mix of contemplative and celebratory material makes it ideal for filling a full spring concert or as a curriculum resource for piano students exploring sacred music with expressive depth.

Skills your students will build

  • Voicing contemporary harmonic progressions within a hymn-based framework
  • Balance between melody and accompaniment figures in mid-range textures
  • Pedaling for clarity across varied harmonic colors
  • Stylistic control across contemporary praise, hymn arrangement, and devotional contexts

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