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What Praise Can I Play on Sunday?, Book 1: January & February Services: Piano Book

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What Praise Can I Play on Sunday?, Book 1: January & February Services Cover Image

What Praise Can I Play on Sunday?, Book 1: January & February Services: Piano Book

10 Easily Prepared Piano Arrangements

Arranged by Carol Tornquist

Level: Late Intermediate / Early Advanced

Item: 00-38782

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Description
What Praise Can I Play on Sunday? is a series of six books of worship favorites, each book designed for busy pianists who require accessible arrangements. Book 1 contains selections for holidays and holy days that occur during January and February, including Epiphany, Creation, Transfiguration, Ash Wednesday, and Lent. It also contains several general praise songs. Titles: Come, Now Is the Time to Worship (Brian Doerksen) * Forever (Michael W. Smith) * God of Wonders (Third Day) * Hosanna (Praise Is Rising) (Brenton Brown) * How Deep the Father's Love for Us (Stuart Townend) * How Great Is Our God (Chris Tomlin) * In Christ Alone (Keith Getty and Stuart Townend) * Majesty (Here I Am) (Delirious?) * The Wonderful Cross (Chris Tomlin and Matt Redman) * You Are My All in All (Dennis L. Jernigan). A Federation Festivals 2024-2028 selection.

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-8405-4
ISBN13: 978-0-7390-8405-2
UPC: 038081428727
SKU: 00-38782

More about this title

About the Arranger: Carol Tornquist

Carol Tornquist

Carol Tornquist began playing piano by ear in northwestern Pennsylvania and went on to study at the Warren Conservatory of Music before earning her B.S. in Music Education from SUNY Fredonia. She taught vocal music in upstate New York and worked as an instructor for Yamaha Music School while building her foundation in music pedagogy.

A visit to Nashville introduced Tornquist to her brother John W. Thompson's songwriting world and led to her career writing piano transcriptions. She has since arranged over four hundred piano collections and has been an Alfred author since 2010. Her work is known for thoughtful harmonic settings and rhythmic clarity, making familiar melodies accessible to church pianists and students across skill levels.

Why we love this

Tornquist understands exactly what busy church pianists need: arrangements that are genuinely playable at the late intermediate level without sacrificing musicality or harmonic sophistication. Ten contemporary worship staples in one book means you can cover the January and February church calendar without hunting across multiple collections, and her signature approach to voicing gives each piece enough harmonic interest to reward careful listening while remaining accessible in a Sunday morning context.

What to expect

These arrangements honor the warmth and accessibility of contemporary worship while adding textural depth through thoughtful voicing. You'll find yourself playing hymnic progressions alongside modern harmonic language, creating a bridge between the familiar and the fresh that feels equally at home in traditional and contemporary services.

Who it's for

Church pianists who lead worship services and need reliable, well-crafted arrangements of contemporary Christian songs without the time to hunt through multiple books. Students working at the late intermediate and early advanced levels will find material that challenges their harmonic understanding and interpretive choices while remaining within technical reach.

How to get the most out of it

  • Honor the rhythmic profile of each arrangement. Tornquist's settings often feature specific rhythmic figures that support the harmonic structure; precision in tempo and articulation brings the arrangements into focus.
  • Pay attention to dynamic contrast between verses and chorus sections. These arrangements lean on registration shifts and subtle dynamic shaping rather than octave doublings, so control your tone color through touch and pedal rather than volume alone.
  • Use the sustained pedal judiciously to support harmonic movement without muddying the clarity of the voicings. Many of these pieces benefit from pedal changes at harmonic turning points.
  • Approach the left-hand figures as integral to the mood. Whether the bass is walking, static, or gently moving, it anchors the piece; give it the same interpretive attention you give to the melody.

How to use it

Build your January and February Sunday service planning around this single collection, selecting pieces that match the liturgical theme of each week. The arrangement of titles across Epiphany, Lent, and Ash Wednesday observances makes this especially useful for churches following a liturgical calendar, and the general praise songs provide flexibility when thematic selections fall short.

Skills your students will build

  • Playing contemporary chord extensions and alterations in worship contexts
  • Interpreting harmonic movement through touch and pedal rather than volume
  • Managing rhythmic figures that sit across the beat
  • Building fluency in the language of modern hymn and Christian worship music
  • Understanding how arrangement choices support congregational or devotional singing

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