What Praise Can I Play for Easter? Cover Image

What Praise Can I Play for Easter?: Piano Book

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What Praise Can I Play for Easter? Cover Image

What Praise Can I Play for Easter?: Piano Book

10 Easily Prepared Piano Arrangements

Arranged by Carol Tornquist

Level: Late Intermediate / Early Advanced

Item: 00-42313

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Description
The praise songs in this collection are chosen not only for their beauty, but also for the powerful messages they convey about the events surrounding Easter. Each selection is arranged for piano solo in a contemporary style that is easy to prepare and works well for preludes, offertories, and postludes in worship services. An approximate performance time is given for each arrangement to assist in planning. Titles: Because He Lives (William J. Gaither and Gloria Gaither) * Lord, I Lift Your Name on High (Rick Founds) * Mighty to Save (Hillsong) * Jesus Saves (Priscilla Owens and William Kirkpatrick) * Power of the Cross (Shelley E. Johnson) * The Power of the Cross (Oh, to See the Dawn) (Keith Getty and Stuart Townend) * Lead Me to Calvary (Jennie E. Hussey and William Kirkpatrick) * Redeemer (Nicole C. Mullen) * Revelation Song (Jennie Lee Riddle) * The Risen Christ (Keith Getty and Phil Madeira) * He Is Lord (Traditional) * The Wonderful Cross (Chris Tomlin) * Worthy Is the Lamb (Darlene Zschech).

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 40
ISBN10: 1-4706-1008-6
ISBN13: 978-1-4706-1008-1
UPC: 038081470115
SKU: 00-42313

More about this title

About the Arranger: Carol Tornquist

Carol Tornquist

Carol Tornquist discovered piano by ear at age four in northwestern Pennsylvania and went on to study formally at the Warren Conservatory of Music before earning her B.S. in Music Education from SUNY Fredonia. She taught vocal music in upstate New York and worked with the Yamaha Music School as an instructor before moving to Nashville, where her brother John W. Thompson's songwriting connections led her into the world of piano transcription and arrangement.

Over the past decade and a half as an Alfred author, Tornquist has become known for creating more than four hundred piano solo collections that balance playability with musical substance. Church pianists and serious students gravitate toward her work because her arrangements respect familiar melodies while introducing fresh harmonic and rhythmic color. Committed to accessibility without compromise, she designs her resources to serve pianists across skill levels and worship styles, from traditional to contemporary settings.

Why we love this

Tornquist has curated thirteen beloved Easter songs and arranged them in a way that honors both the texts and the contemporary worship sensibilities of modern churches. The practical addition of performance times for each piece makes real-world scheduling straightforward; you'll know exactly what fits your service without guesswork. Her harmonic language keeps these familiar songs sounding fresh while remaining fully accessible to pianists at the early advanced level.

What to expect

These arrangements breathe with the clarity and openness of contemporary worship music while maintaining the reflective depth that Easter subjects deserve. Each piece combines accessible piano writing with harmonic language that feels current and alive, creating a musical setting that complements both the joy of resurrection and the gravity of redemption narratives.

Who it's for

This collection belongs in the hands of church pianists preparing Easter worship services, whether you're a volunteer seeking repertoire that sounds polished with reasonable preparation time or a paid musician wanting to expand your sacred contemporary catalog. Late intermediate to early advanced pianists will find the arrangements well within reach yet sophisticated enough to keep them musically engaged.

How to get the most out of it

  • Honor the contemporary style in the accompaniment patterns by listening to the dynamic shape of the harmonic progression rather than playing metrically rigid comping figures; let the emotional arc of each song guide your touch and voicing balance.
  • Plan your registration and practice any modulations between pieces well in advance, especially if you'll be playing multiple selections in a single service; smooth transitions elevate the entire spiritual experience.
  • Study the given performance times and use them to set a tempo that allows you to play expressively without rushing; Easter texts demand space for reflection, and hurried playing undercuts the message.
  • Balance the melody against contemporary harmonic textures by reserving your full tone for the right hand while letting the left hand provide supportive context; avoid letting elaborate chord voicings overshadow the song itself.

How to use it

Build an Easter Sunday service around several selections from this collection, using them as a prelude, postlude, and offertory to create musical continuity through your worship hour. The variety of tempos and emotional tones means you can program contrasting pieces throughout the service; use a triumphant selection like 'The Wonderful Cross' as your postlude and more meditative arrangements earlier in the hour to shape the spiritual arc.

Skills your students will build

  • Playing contemporary harmonic voicings with clarity and independence between hands
  • Shaping phrase contours across hymn-like structures while maintaining rhythmic stability
  • Interpreting dynamic and expressive markings in contemporary worship styles
  • Sight-reading and preparing repertoire efficiently for performance-ready use
  • Understanding functional harmony in modern sacred music contexts

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