What Is This Thing Called Love: Piano Digital Sheet Music

Evans's treatment of this Cole Porter standard reveals exactly why serious pianists study his work: the voicings are sophisticated without becoming precious, the phrasing breathes naturally through chromatic movement, and the harmonic reharmonization opens doors for your own improvisation without dictating a single path. This is a master class in how to honor a melody while transforming it entirely.

Introspective and gently restless, Evans's version transforms this romantic standard into something more philosophical, dwelling in suspended chords and unexpected resolutions that feel both inevitable and surprising. The piano becomes a voice having a private conversation with itself, thoughtful and searching.

Jazz pianists expanding their harmonic vocabulary and serious students of jazz standards will find Evans's approach invaluable. Pianists preparing for jazz combo settings or looking to develop a more sophisticated improvisational language should spend time with his recordings and interpretations.

• Shape the melody with restraint; Evans rarely pounds a tune, so let silence and space carry as much weight as the notes themselves.
• Study how Evans handles the chord extensions and altered dominants; they're not decoration but structural choices that shift the emotional weight of each phrase.
• Listen closely to his touch and dynamic control in your own playing. A floating, almost introspective approach to the keyboard will unlock the intricate voicings he uses.

Position this as a jazz recital or ensemble feature that showcases pianistic depth rather than flashiness. It pairs naturally with other Evans interpretations or as an elegant counterpoint to bebop-era or modal pieces in a jazz concert.

• Harmonic reharmonization and extended jazz voicings
• Phrasing and articulation in a lyrical jazz context
• Listening and analysis of chord substitutions and voice leading
• Developing touch sensitivity for subtle dynamic shaping