What Have They Done To The Rain (from The Daily Ukulele) (arr. Jim Beloff) Sheet Music Preview

What Have They Done To The Rain (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

As performed by Malvina Reynolds / Arranged by Jim Beloff

Item: 35-DS01534220

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What Have They Done To The Rain (from The Daily Ukulele) (arr. Jim Beloff): Ukulele isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01534220

More about this title

About the Artist: Malvina Reynolds

Malvina Reynolds (1900-1978) was a folk singer and songwriter whose sharp social conscience shaped some of the most enduring protest songs of the 20th century. Though she didn't record professionally until her 60s, Reynolds became a vital voice in the folk revival, writing material that spoke directly to issues of nuclear anxiety, environmental destruction, and social injustice.

"What Have They Done to the Rain" captures her gift for embedding urgent questions into deceptively simple melodies. The song's sparse arrangement and folk sensibility make it ideal for ukulele, an instrument that shares Reynolds' belief that powerful messages don't require elaborate production.

Why we love this

Reynolds' protest anthem lands with quiet force, especially in Jim Beloff's arrangement for ukulele. The single-page format makes this accessible for ensemble learning, while the song's environmental message gives students substantive content to engage with, not just pleasant melody.

What to expect

Haunting and direct, the song carries the weight of a question that refuses to be dismissed. The melody sits comfortably on the ukulele, allowing the instrument's warm tone to amplify the understated heartbreak in Reynolds' lyrics.

Who it's for

Intermediate ukulele players and beginning ensemble musicians will find this accessible and meaningful. It works equally well as a solo piece or in group settings where players of mixed ability need material with emotional weight.

How to get the most out of it

  • Let silence breathe between phrases. The power of this song lives in space, not in filling every moment with sound.
  • Shape the melody's arc across the entire verse rather than stopping at each line. Think of it as one long statement instead of four separate ones.
  • Maintain consistent, gentle rhythm throughout. Avoid the urge to rush or drag; evenness underscores the song's urgent simplicity.

How to use it

Pair this with other folk or protest songs for a thematic concert exploring how songwriters address social issues. Its brevity and accessibility make it ideal as an opening number, establishing an intimate mood before moving into more elaborate works.

Skills your students will build

  • Phrasing and breathing in folk melody
  • Sustaining emotional intent across simple harmonic movement
  • Reading single-page lead sheet format
  • Balancing accompaniment texture with lyrical clarity

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