What Have I Done Sheet Music Preview

What Have I Done: Piano Vocal

As performed by Boublil and Schonberg

Item: 35-DS00024462

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00024462

More about this title

About the Artist: Boublil and Schonberg

Claude Michel Schönberg and Alain Boublil created some of musical theatre's most enduring scores, beginning with their 1980 French musical Starmania and continuing through their landmark collaborations on Les Misérables and Miss Saigon. Schönberg's gift for sweeping melodic lines paired with Boublil's emotional storytelling established a template for contemporary musical theatre that prioritizes direct emotional expression and memorable vocal writing.

Why we love this

This song sits at the intersection of vulnerability and accessibility, offering singers a moment of genuine introspection without requiring operatic technique. The piano writing supports rather than overwhelms the voice, making it an ideal choice for students developing interpretive maturity while building confidence with contemporary musical theatre repertoire.

What to expect

Introspective and searching, this song captures a moment of personal reckoning. The harmonic language supports an atmosphere of quiet reflection, allowing the vulnerability of the lyric to emerge without melodrama.

Who it's for

Singers developing their contemporary musical theatre repertoire will find this accessible without being simplistic. Both high school and college voice students benefit from the song's emotional directness and manageable vocal range.

How to get the most out of it

  • Shape the melodic line through the full arc of the song rather than treating it phrase by phrase; singers often find the emotional trajectory clearer when they think in terms of larger gestures.
  • Let the piano accompaniment breathe during vocal rests; resist the urge to rush through the transitions between sections.
  • Balance simplicity with intention in the vocal delivery; the strength of this material lies in honest expression rather than technical display.

How to use it

Include this as a solo feature in a musical theatre concert or as part of a curated set exploring themes of accountability and growth. The modest accompaniment requirements make it practical for recital programming across various skill levels.

Skills your students will build

  • Sustaining legit vocal production through longer phrases
  • Emotional subtext in contemporary musical theatre styles
  • Responding to conversational lyric phrasing rather than purely vocal melody
  • Collaborative balance between piano accompaniment and voice

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