What Else Can I Do? (from Encanto) Sheet Music Preview

What Else Can I Do? (from Encanto): Piano Vocal

As performed by Diane Guerrero & Stephanie Beatriz

Item: 35-DS00776070

Digital Download
$5.99
Description

What Else Can I Do? (from Encanto): Piano Vocal isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00776070

More about this title

About the Artist: Diane Guerrero & Stephanie Beatriz

Diane Guerrero is best known for her role as Maritza Ramos in the Netflix series Orange Is the New Black, though her theater training runs deep. Stephanie Beatriz, who plays Mirabel in Disney's Encanto, brings extensive stage experience alongside her film and television work. Together, they perform this duet as Isabela and Mirabel, two sisters navigating family expectations and identity in one of Disney's most emotionally complex animated features.

Why we love this

This duet captures the raw vulnerability of two characters in conflict, making it far more than a children's song. The vocal writing demands genuine musicality from both singers; it's the kind of number that helps young performers understand how character and emotion shape interpretation, not the reverse.

What to expect

Fractured and urgent, with undertones of yearning. The song captures a moment of breakthrough where two characters finally speak their truth to each other, making it feel both confrontational and intimate at once.

Who it's for

Young singers with some stage presence and vocal control, or experienced singers looking for contemporary material with emotional depth. Works well for recitals, school assemblies, or programs highlighting film music arranged for voice and piano.

How to get the most out of it

  • Balance the dialogue sections carefully so both singers remain heard even when singing together; neither voice should disappear into a unison.
  • Let the piano's rhythmic drive in the accompaniment anchor your phrasing rather than fight it; the song's energy comes from rhythmic precision, not rubato.
  • Honor the emotional peaks by building gradually through the middle section instead of hitting your dynamic high point too early.

How to use it

Pair this with other Disney material for a film music segment, or use it as a contemporary piece that speaks to students about identity and sisterhood. It works equally well as a solo feature for a strong vocalist or as a duet that explores ensemble balance.

Skills your students will build

  • Managing dialogue exchanges with a partner vocalist
  • Sustaining emotional intensity through repetition and building dynamics
  • Interpreting contemporary vocal writing with clear character motivation
  • Reading and performing syncopated rhythmic patterns in the melody

You May Also Like