What Else Can I Do? (from Encanto) Sheet Music Preview

What Else Can I Do? (from Encanto): Ukulele

As performed by Diane Guerrero & Stephanie Beatriz

Item: 35-DS00659382

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00659382

More about this title

About the Artist: Diane Guerrero & Stephanie Beatriz

Diane Guerrero and Stephanie Beatriz are the voices behind two of Encanto's most memorable characters. Guerrero, known for her role as Mariana Burgos on the Netflix series Orange is the New Black, brings warmth and vulnerability to Mirabel Madrigal. Beatriz, recognized for her work on In the Heights and other film and television projects, voices Isabela Madrigal with striking intensity. Together, they performed "What Else Can I Do?" as a duet that captures the emotional complexity of sisterhood and expectation.

Their vocal performances in this song showcase the emotional depth Disney animators sought for this pivotal moment in the film. The song's melody and arrangement highlight both singers' range and ability to convey character through music, making it a compelling choice for young ukulele players learning to express narrative and emotion through instrumental performance.

Why we love this

This arrangement captures the emotional turning point of Encanto in a form young players can tackle. The song's melodic strength means students immediately hear the payoff of their practice, and the Disney context keeps motivation high in rehearsals and at home.

What to expect

The song carries the weight of unspoken frustration and sisterly conflict. On ukulele, it transforms into something tender and introspective, inviting players to explore how a simple instrument can convey complex emotional states. The piece breathes with quiet intensity.

Who it's for

Ukulele students who have moved past beginner fundamentals and are ready for music with emotional substance. This works well for intermediate players in school ensembles, community programs, or private instruction who connect with contemporary film music and want to deepen their interpretive skills.

How to get the most out of it

  • Balance the two melodic lines if playing this as a duet arrangement. The interplay between the two vocal parts creates dramatic tension, so make sure each player's voice is clearly heard without one overshadowing the other.
  • Pay attention to phrasing at the song's emotional peaks. Slight ritardandos and breath-like pauses will deepen the impact of key moments in the story.
  • Explore dynamics carefully. The song builds from introspection to confrontation, so use volume changes to reflect that emotional arc rather than playing at a constant level.
  • If the arrangement includes rhythmic figures that mirror the original vocal production, lock those rhythms precisely. Precision here creates the song's distinctive forward momentum.

How to use it

Slot this into a spring concert celebrating film and television music, or use it as a solo piece for a student recital where you want to showcase growth beyond technical exercises. It also works in a thematic program pairing songs about identity and self-discovery.

Skills your students will build

  • Interpreting emotional subtext through tempo and dynamics
  • Sustaining melodic lines with clarity across multiple phrases
  • Coordinating with another melodic voice (if arranged as a duet)
  • Transferring familiar vocal music to instrumental performance
  • Applying rhythmic precision to contemporary song structures

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