What Can We Play on Sunday? Book 5: September & October Services Cover Image

What Can We Play on Sunday? Book 5: September & October Services: Piano Duet (1 Piano, 4 Hands) Book

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What Can We Play on Sunday? Book 5: September & October Services Cover Image

What Can We Play on Sunday? Book 5: September & October Services: Piano Duet (1 Piano, 4 Hands) Book

6 Easily Prepared Piano Duet Arrangements

Arranged by Robert D. Vandall

Level: Late Intermediate

Item: 00-38792

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Description
What Can We Play on Sunday? is a series of six books of piano duets (one piano, four hands), each book designed for busy pianists who require accessible arrangements. Book 5 contains selections for holidays and holy days that occur during September and October. It also contains several general hymns. Titles: All Things Bright and Beautiful * Come, Christians, Join to Sing * Holy, Holy, Holy * Oh, How I Love Jesus * Shall We Gather at the River * What a Friend We Have in Jesus.

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Additional Details
Series: Sacred Performer Duet Collections
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-8415-1
ISBN13: 978-0-7390-8415-1
UPC: 038081428826
SKU: 00-38792

More about this title

About the Arranger: Robert D. Vandall

Robert D. Vandall is a prolific arranger and composer whose work spans sacred music, educational repertoire, and concert pieces for piano. His arrangements are known for their musicality and accessibility, making familiar hymns and melodies approachable for pianists of intermediate ability without sacrificing musical substance.

Why we love this

Vandall's arrangements respect the hymn melodies while giving both hands engaging, complementary material. The duet format transforms what could feel like accompaniment work into genuine partnership, keeping both players interested from start to finish. For churches scheduling regular Sunday services, having a collection organized by liturgical season eliminates the scramble to find appropriate music on short notice.

What to expect

These arrangements carry the warmth and familiarity of beloved hymns while introducing textural variety and harmonic interest that keeps the ear engaged. The writing allows both players to feel like soloists at different moments, creating a sense of collaboration and shared musicianship.

Who it's for

This book serves church pianists and piano teachers working with intermediate-level students who want repertoire with real performance value. It works equally well for two pianists sharing one bench at a Sunday service or for studio teachers looking for duet material that combines accessibility with musical depth.

How to get the most out of it

  • Balance the melody carefully between hands; often one player carries the tune while the other weaves countermelody or harmonic texture. Rehearse sections where the main tune shifts hands to ensure smooth transitions.
  • Establish a steady tempo early and stick with it. These hymn arrangements rely on predictable phrasing and pulse, especially important when accompanying congregational singing.
  • Pay attention to the harmonic rhythm underneath the melody. Even though these are familiar tunes, fresh voicing choices in the accompaniment deserve deliberate listening during rehearsal.
  • Record yourselves playing through a few selections together. Hearing playback reveals balance issues and rhythmic inconsistencies that are easy to miss in the moment.

How to use it

Use this collection to build a repertoire rotation for weekly services, selecting pieces that match the liturgical calendar without last-minute scrambling. The mixed hymn selections also work as warm-up or interlude music during rehearsals, giving students repertoire they can play with confidence in performance contexts.

Skills your students will build

  • Playing as a rhythmic unit with a partner
  • Balancing melody and accompaniment across two hands and two players
  • Interpreting hymn arrangements with musical sensitivity
  • Sight-reading four-hand score notation
  • Managing tempo consistency and phrasing in ensemble playing

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