What Can I Play for Special Services?, Complete Collection Cover Image

What Can I Play for Special Services?, Complete Collection: Piano Book

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What Can I Play for Special Services?, Complete Collection Cover Image

What Can I Play for Special Services?, Complete Collection: Piano Book

Easily Prepared Arrangements for Weddings, Easter, and Funerals

Arranged by Cindy Berry

Level: Late Intermediate

Item: 00-41414

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Description
As an addition to the What Can I Play on Sunday? series, this collection contains the arrangements that a pianist may need when playing for a wedding, Easter, or funeral service. Approximate performance times for each piece are included to assist in planning. Titles: Air (from Water Music) * Alas! And Did My Savior Bleed? * Arioso (from Cantata No. 156) * At Calvary with Down at the Cross * Be Thou My Vision * Because He Lives * Bridal Chorus * Canon in D * Christ the Lord Is Risen Today * Face to Face * Go to Dark Gethsemane * Great Is Thy Faithfulness * His Eye Is on the Sparrow * Holy, Holy, Holy * Hosanna, Loud Hosanna * How Great Thou Art * I Know That My Redeemer Liveth * I Need Thee Every Hour with Abide with Me * I Stand Amazed in the Presence * I Will Praise Him * I Will Sing of My Redeemer * In the Garden * Just a Closer Walk with Thee * Low in the Grave He Lay * My Faith Has Found a Resting Place * Nearer My God to Thee * Panis Angelicus * Psalm 19 * Rock of Ages * Savior, Like a Shepherd Lead Us * Shall We Gather at the River with Sweet By and By * Wedding March * What a Friend We Have in Jesus * When We All Get to Heaven.

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 112
ISBN10: 0-7390-9865-9
ISBN13: 978-0-7390-9865-3
UPC: 038081463223
SKU: 00-41414

More about this title

About the Arranger: Cindy Berry

Cindy Berry

Cindy Berry is a Houston-born composer and arranger whose work spans sacred choral literature, children's musicals, and piano collections. She has received annual ASCAP Special Awards throughout her career and is sought after as a clinician, leading composer weekends and workshops across the country.

Berry's musical life centers on congregational worship. She serves as pianist and children's choir director at First Baptist Church in Killeen, Texas, where she collaborates with her husband Bruce, a Minister of Music. Her arranging reflects a deep commitment to creating music that functions as an offering within faith communities.

Why we love this

This collection solves a real scheduling puzzle: weddings, Easter services, and funerals each demand music that serves a specific liturgical moment, and pianists often scramble to find trustworthy arrangements in appropriate keys and registers. Berry's arrangements strike a balance between accessibility and musical substance, allowing late-intermediate pianists to sound prepared and intentional rather than merely competent. The inclusion of performance times transforms this from a reference collection into a genuine planning tool.

What to expect

These arrangements honor the emotional weight of their occasions. The sound balances reverence with warmth, whether delivering the grandeur of Canon in D or the quiet intimacy of I Know That My Redeemer Liveth. Each piece carries the comfort of familiar hymnody while presenting it with enough musical substance to support the solemnity or joy of its moment.

Who it's for

This collection is essential for church pianists who regularly accompany or provide music for weddings, Easter celebrations, and memorial services. It also serves as an excellent late-intermediate solo repertoire book for pianists preparing recitals or study collections with sacred focus.

How to get the most out of it

  • Balance accompaniment textures carefully in pieces like Canon in D and Bridal Chorus, where sparse voicings can expose technical unevenness; lean into the resonance of the pedal without clouding harmonic definition.
  • Honor the character of each arrangement by varying touch and tone across the collection. Hymn-based pieces benefit from singing legato lines, while baroque selections like Air and Arioso call for cleaner articulation and transparency.
  • Reference the performance times when rehearsing for actual services; practice holding tempos that match the printed durations to ensure smooth transitions and appropriate pacing during the ceremony.
  • Pay particular attention to key signatures in arrangements that pair two hymns together (such as I Need Thee Every Hour with Abide with Me); ensure the modulation between pieces feels inevitable rather than abrupt.

How to use it

Assign individual pieces to pianists preparing for specific service roles throughout the church calendar. This collection works equally well as a self-directed study resource for late-intermediate students building facility with sacred repertoire and service music contexts.

Skills your students will build

  • Reading and performing hymn-based arrangements with appropriate harmonic clarity
  • Managing performance tempo consistency across pieces of varying character
  • Pedal control in sparse textures and sustained voicings
  • Interpreting baroque keyboard works (Arioso, Air) within an accessible arrangement context
  • Balancing accompaniment roles across major and minor keys and various registrations

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