What Are You Doing The Rest Of Your Life: Piano Digital Sheet Music

Shearing's interpretation of this standard demonstrates how a master pianist shapes melody through harmony and dynamics rather than technical display. The voicings and touch offer students a masterclass in jazz comping and solo improvisation within the constraints of a beautiful song form, making it an invaluable reference recording for anyone serious about jazz piano.

Warm and introspective, with a gentle swing that never rushes. Shearing's playing feels conversational; he lets the melody breathe while his left hand provides sophisticated harmonic support that colors every phrase without overwhelming it. There's a timeless elegance here that reveals something new with each listen.

Jazz piano students who want to hear how a foundational standard can be approached with sophistication and restraint, and pianists preparing to solo over this tune who benefit from studying a master's harmonic and rhythmic choices. Music educators can use this as a listening model when teaching jazz comping and melodic paraphrase.

• Study how Shearing voices the chords; his quartal and tertial stacks create movement and color without overcomplication. Experiment with substituting one or two of these voicings into your own solo.
• Listen closely to his touch and dynamics across the entire phrase. Jazz piano requires singing through the instrument, not just hitting notes.
• Notice where Shearing plays behind the beat and where he sits in front of it. These micro-rhythmic choices drive the swing and should inform your own time feel.
• Use this as a harmonic reference. Work out the changes Shearing implies through his comping, then practice stating them clearly on your own instrument before you decorate them.

Use this as a study score and reference recording for jazz ensemble rehearsals when working on standards and ballads. It works especially well in a unit on jazz arranging and comping, where students can transcribe and analyze his voicings. For jazz recitals, students can perform their own arrangement of the tune after studying Shearing's interpretation.

• Jazz chord voicing and substitution
• Playing behind and ahead of the beat in a swing context
• Listening to and transcribing a master pianist's harmonic choices
• Building dynamic shape and phrase contour across a ballad form
• Understanding how comping supports and frames a melody