What A Wonderful World (arr. Tripp Carter) Sheet Music Preview

What A Wonderful World (arr. Tripp Carter): SATB Choral Octavo

As performed by Louis Armstrong / Arranged by Tripp Carter

Item: 35-DS01134059

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS01134059

More about this title

About the Artist: Louis Armstrong

Louis Armstrong transformed jazz from a regional novelty into an art form that shaped twentieth-century music. His revolutionary approach to improvisation, phrasing, and vocal expression set standards that musicians across all genres still reference today. Armstrong's ability to communicate directly with listeners through his distinctive voice and irrepressible humanity made him one of the most influential musicians in American history.

Why we love this

Tripp Carter's arrangement respects the song's essential warmth while giving your choir genuine singing to do. The voicing sits naturally for mixed ensembles, the harmonic language stays accessible without sacrificing sophistication, and the entire piece radiates the optimism that makes this standard endure across generations.

What to expect

Sunshine breaking through a window. The arrangement invites singers into a space where optimism feels earned rather than forced, where each note contributes to something genuinely moving. Performing this piece reminds your ensemble why people listen to choirs in the first place.

Who it's for

Any choir looking for a standard that audiences genuinely love while your singers develop confidence with jazz harmony and swing style. Works equally well for festival programs, holiday concerts that need warmth without religiosity, or pops events where you want substance beneath the accessibility.

How to get the most out of it

  • Balance the melody line clearly while allowing the inner voices to provide harmonic support; this song depends on lyrical clarity above all else.
  • Lean into the natural phrasing of the text rather than fighting it with awkward breath marks; the words themselves suggest where phrases should breathe.
  • Keep the tempo unhurried and conversational, letting the arrangement's simplicity become its strength rather than rushing through the changes.
  • Record a run-through and listen for moments where the ensemble might be overpowering the lyrical content; restraint serves this piece better than volume.

How to use it

Pair this with repertoire from the 1950s and 1960s to build a program around the American songbook, or use it as a palate cleanser between heavier classical works. The seven-page length makes it manageable for groups with limited rehearsal time, and its popularity ensures strong audience engagement whenever you program it.

Skills your students will build

  • Swing interpretation and jazz phrasing conventions
  • Balancing melody projection with harmonic ensemble singing
  • SATB voice independence in jazz voicings
  • Natural text delivery in conversational song settings

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