What A Wonderful World Sheet Music Preview

What A Wonderful World: Concert Band Conductor Score & Parts

As performed by Louis Armstrong / Arranged by Robert Longfield

Grade: 1.5

Item: 35-PK00256617

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$55.00

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Description
Originally a hit for Louis Armstrong in 1967, this touching ballad continues to be popular today and is heard regularly in TV and film. Nicely arranged here for beginning players. Dur: 2:05

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00256617

More about this title

About the Artist: Louis Armstrong

Louis Armstrong transformed jazz from a regional phenomenon into a global art form. His warm, distinctive voice and innovative trumpet playing made him one of the most influential musicians of the twentieth century, and his ability to communicate across musical boundaries set the standard for what popular music could achieve.

Why we love this

Beginning bands need repertoire that feels genuinely musical rather than pedagogical, and this arrangement delivers exactly that. Armstrong's timeless melody sits beautifully in young players' ranges, while Longfield's scoring ensures everyone has something meaningful to contribute without overwhelming emerging musicians.

What to expect

Warm and reflective. The arrangement captures Armstrong's gentle optimism without sentimentality, creating space for young players to discover how instrumental color and phrasing can convey emotion. It's the kind of piece that reminds students why they play music in the first place.

Who it's for

Grade 1.5 concert bands looking for accessible material that actually resonates with audiences. This works equally well for programs aiming to build musicality in younger ensembles or for community bands seeking repertoire with universal appeal.

How to get the most out of it

  • Shape the opening phrase with a gentle swell; this is a song about appreciation, not proclamation.
  • Balance the melody line against the supporting harmonies so the tune emerges clearly without drowning out the ensemble.
  • Keep the tempo steady and unhurried. At 2:05, there's room to breathe and let the sentiment land.
  • Let the accompaniment figures breathe between phrases rather than rushing to fill silence.

How to use it

Open a concert with this to set a reflective mood, or use it as a graceful contrast amid more energetic selections. It's particularly effective as a bridge piece between different sections of a program or as the closing number when you want the audience to leave thoughtful rather than exhilarated.

Skills your students will build

  • Sustained singing tone on wind instruments
  • Phrasing across longer melodic lines
  • Balance between melody and harmonic accompaniment
  • Maintaining consistent tempo in slower tempos
  • Expression and dynamics without technical flash

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