What A Man Gotta Do (arr. Mark Brymer): 2-Part Choral Octavo

Mark Brymer's arrangement captures the song's pop DNA while keeping the harmonic movement straightforward enough for developing singers. The 2-part voicing lets you build a full, satisfying sound without dividing your ensemble into four or more sections, making this especially useful when your treble numbers are solid but you want to avoid over-splitting.

Energetic and grounded in contemporary pop style, this arrangement carries an upbeat confidence that feels current without sacrificing harmonic substance. The accessibility of the voicing means singers can focus on phrasing, blend, and communication rather than wrestling with technical complexity.

This arrangement works well for middle school and early high school choirs that want to program contemporary music without compromising musical quality. It's equally valuable for directors seeking music that resonates with student performers and audiences alike.

• Keep the rhythmic pocket tight by anchoring the accompaniment's groove; students will instinctively lock in once they feel that pocket is secure
• Balance the melody line against any countermelody or harmonic movement by having the primary melody singers sing with intention without forcing
• Work the dynamic arc intentionally across the form so the arrangement doesn't plateau; pop arrangements often benefit from building energy through the final section

Pair this with other pop or contemporary arrangements to build a cohesive concert segment that demonstrates your choir's range, or use it as a standalone showcase piece that connects with your audience's musical world. At 14 pages, it's substantial enough to anchor a set without overstaying its welcome.

• Singing contemporary pop idiom with proper phrasing and rhythmic precision
• Balancing melody and harmony in a 2-part texture
• Interpreting dynamic and rhythmic cues from a modern style arrangement
• Blend and intonation within close harmonies typical of pop writing