What A Friend We Have In Jesus Sheet Music Preview

What A Friend We Have In Jesus: Ukulele

As performed by Joseph M. Scriven

Item: 35-DS00175974

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00175974

More about this title

About the Artist: Joseph M. Scriven

Joseph M. Scriven was an Irish-born hymnist and philanthropist who wrote "What A Friend We Have In Jesus" in 1855 as a source of comfort during his mother's illness. Though trained as a missionary, Scriven devoted much of his life to serving the poor and sick in Canada, where he eventually settled. His hymn became one of the most beloved expressions of Christian faith precisely because it emerged from genuine pastoral concern rather than formal doctrine.

Why we love this

This hymn has weathered 170 years of musical interpretation because its melody is genuinely singable and its message is direct. On ukulele, the intimacy of the arrangement matches the song's heart; there's nothing between the player and the listener but honest devotion. It's the kind of piece that sounds better when played with feeling than when played perfectly.

What to expect

Warm and contemplative. The familiar hymn tune unfolds naturally on the ukulele's small fingerboard, creating an intimate sound that invites the listener in rather than commanding attention. There's a quiet certainty to this piece; it doesn't need to prove anything.

Who it's for

Ukulele students of any age who want to build repertoire beyond pop songs, as well as teachers seeking repertoire for worship settings, community performances, or curricular units on hymn tradition. The accessibility of the instrument paired with the spiritual depth of the text makes it suitable for beginners working on smooth melodic phrasing.

How to get the most out of it

  • Let the phrasing breathe. This hymn gains power from space between phrases rather than rushing through the melody.
  • Consider dynamics across the two pages; a subtle swell through the middle section deepens the emotional arc without melodrama.
  • Damping the strings slightly between phrases creates clarity and prevents the ukulele from sounding muddy in sustained passages.

How to use it

Pair this with other hymn settings or sacred vocal music in a winter or spring concert focused on spiritual themes. It works equally well as a standalone devotional piece at the opening of a service or as part of a set celebrating traditional songs of faith. For classroom use, it introduces students to hymn text and melody while building finger dexterity on a manageable instrument.

Skills your students will build

  • Smooth legato phrasing across string changes
  • Dynamic control and emotional expression in a meditative context
  • Familiarity with traditional hymn melody and structure
  • Finger independence for sustaining while transitioning between chords

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