What A Friend Sheet Music Preview

What A Friend: SATB Choral Octavo

Arranged by David Angerman

Item: 35-DS00436410

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00436410

More about this title

About the Arranger: David Angerman

David Angerman

David Angerman brings deep expertise in both organ and choral music to his work as editor of the Organ and Handbell Music Division at Shawnee Press. His formal training spans church music (B.M.E. and M.M. from Baylor University) and organ performance (M.M. from the University of Texas), grounding his arrangements in both liturgical sensibility and performance practice.

As Minister of Music at Bethany Lutheran Church in Austin, Angerman remains active in church music leadership. He holds membership in TCDA, AGEHR, AGO, Choristers Guild, and the Association of Lutheran Worship Leaders, connecting him to a broad network of choral and worship music professionals.

Why we love this

Angerman's arrangement honors the hymn's enduring emotional resonance while crafting something fresh enough to engage singers who know this tune intimately. The SATB writing sits comfortably for volunteer church choirs and school groups alike, distributing the melody thoughtfully across voices so no section feels stranded.

What to expect

Warm and familiar yet musically substantial. The arrangement respects the hymn's spiritual gravity while adding harmonic interest that keeps singers engaged throughout multiple hearings. There is a sense of genuine friendship and loyalty woven through the musical texture.

Who it's for

Church choirs seeking a thoughtfully arranged standard, school choral programs building sacred repertoire, and directors looking for material that works for both worship contexts and concert performance. Appropriate for mixed ensembles with modest rehearsal time.

How to get the most out of it

  • Shape the harmonic movement through deliberate phrasing rather than pushing tempo; let the chord changes breathe and register emotionally for listeners.
  • Balance the melody line across voices in passages where it shifts from soprano to alto; this prevents the tune from sounding like it belongs only to one section.
  • Rehearse any moments of divisi carefully so the inner voices add color without muddying the overall sonority.

How to use it

This works beautifully as a closing piece for a service or concert centered on community and faith. It also fits naturally into a program exploring hymn traditions or offering a moment of reflection between larger choral works.

Skills your students will build

  • Singing with expressive phrasing in sustained harmonic contexts
  • Balancing independent lines within a four-part texture
  • Connecting text meaning to musical shape and dynamics

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