What a Beautiful Name (arr. Joseph M. Martin): Choral Instrumental Pak
As performed by Hillsong Worship / As performed by Brooke Ligertwood / Arranged by Joseph M. Martin
Item: 35-PK00401210
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Description
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About the Artist: Hillsong Worship
Hillsong Worship emerged from Hillsong Church in Sydney, Australia, and has become one of the most influential contemporary Christian music collectives in the world. The collective's songwriters and performers, including Brooke Ligertwood, have crafted songs that resonate across denominational lines and cultural boundaries, prioritizing theological depth alongside melodic accessibility.
Their approach to worship music emphasizes singability for congregations while maintaining artistic integrity. Songs like "What a Beautiful Name" demonstrate their gift for creating moments of genuine congregational participation, making their arrangements and compositions natural fits for choirs seeking contemporary material with both substance and reach.
Why we love this
Joseph M. Martin's arrangement honors the original's contemplative beauty while making it genuinely accessible. The SAB voicing removes barriers for smaller or developing ensembles, and the straightforward piano accompaniment lets your singers focus on the text and emotional arc rather than wrestling with complex harmonies.
What to expect
Ethereal yet grounded, this arrangement wraps listeners in a sense of wonder while maintaining emotional clarity. The simple, powerful text paired with gentle harmonic support creates space for genuine reflection on faith and meaning, never rushing or overcomplicating what is fundamentally a profound declaration.
Who it's for
This arrangement serves directors working with mixed choirs of any size, from smaller church ensembles to large festival groups. It's equally valuable for those seeking contemporary Christian repertoire that bridges congregational and concert settings, and for programs wanting material that connects with younger singers through familiar, meaningful songs.
How to get the most out of it
- Balance the vocal parts so the melody emerges clearly without the supporting voices fading into accompaniment; this text deserves to be heard and understood
- Shape phrases around the lyrical content rather than strictly metric boundaries, allowing the wonder of the text to breathe naturally
- Work the instrumental players into rehearsals early so they're not an afterthought; their rhythmic foundation helps the singers stay connected to the groove
- Resist oversinging this piece; restraint and intimacy communicate far more effectively than volume when exploring themes of reverence and awe
How to use it
Position this as a moment of quieter intention within a concert, or include it in a contemporary spirituals or faith-based program that values both accessibility and artistic credibility. Its singability makes it an excellent choice for festivals where you need strong programming with minimal rehearsal demands, or for services where congregational participation might be desired.
Skills your students will build
- Balancing melody against supporting harmonic parts in SAB voicing
- Sustaining emotional expression through repetitive, meditative text
- Coordinating with instrumental accompaniment and optional instrumental parts
- Singing with intentionality and restraint in contemporary Christian style