West Coast Blues Cover Image

West Coast Blues: Jazz Ensemble Conductor Score

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West Coast Blues Cover Image

West Coast Blues: Jazz Ensemble Conductor Score

By Wes Montgomery / arr. Kris Berg

Grade: 3 (Medium)

Item: 00-38686S

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Description
This medium tempo swingin' jazz waltz has the lilting 3/4 feel that is fun to play, along with (written) solos for alto 1 and trumpet 2. The chart has standard instrumentation plus an alternate 2nd alto part with flute if desired.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 20
UPC: 038081432540
SKU: 00-38686S

More about this title

About the Composer: Wes Montgomery

Wes Montgomery (1923-1968) was a self-taught guitarist who became one of jazz's most influential voices. Working primarily in Indianapolis before moving to California, he developed a signature sound using his thumb instead of a pick, creating a warm, singing tone that defined his approach to improvisation. His compositions and recordings from the 1950s and 1960s remain central to jazz repertoire, prized for their melodic clarity and swinging groove.

Why we love this

Kris Berg's arrangement captures the relaxed sophistication of Montgomery's style while keeping the orchestration accessible for Grade 3 ensembles. The written solos for alto 1 and trumpet 2 give featured players a chance to shine without demanding advanced harmonic navigation, and the 3/4 swing feel stays fresh and playable across multiple rehearsals.

What to expect

West Coast Blues swings with an easy, almost conversational groove. The 3/4 waltz time gives it a lilting, elegant quality that feels more sophisticated than march-time charts, while the moderate tempo keeps the swing relaxed and natural rather than frantically bouncing.

Who it's for

This score works well for jazz ensemble directors looking to program something with a modern jazz feel that doesn't overwhelm intermediate players. It's ideal for groups ready to tackle written ensemble parts while also building confidence in featured soloists.

How to get the most out of it

  • Let the rhythm section lock the swing feel first before layering in the horns; a crisp, relaxed 3/4 waltz pulse is the foundation for everything else.
  • Balance the melody between sections so it doesn't get buried; the lilting quality depends on clear, singing lines from your lead voices.
  • Encourage the alto 1 and trumpet 2 soloists to listen to Montgomery recordings for phrasing and articulation ideas that capture his vocal approach to the horn.

How to use it

Program this alongside other mid-century jazz standards to showcase your ensemble's command of the swing era sound. It pairs particularly well with other Grade 3 blues or ballad-based arrangements and works as either a concert closer or a festival selection that demonstrates musical maturity without excessive technical demands.

Skills your students will build

  • Playing swung eighth notes with consistent feel across ensemble sections
  • Reading and executing 3/4 meter in a jazz context
  • Balancing ensemble parts to support featured soloists
  • Interpreting jazz articulation and phrasing from written notation
  • Listening skills developed through trading ensemble and solo sections

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