Wesendonck Lieder, WWV 91: No. 5, Traume [orchestra transcription]: (Funf Gedichte fur eine Frauenstimme) Cover Image

Wesendonck Lieder, WWV 91: No. 5, Traume [orchestra transcription]: (Funf Gedichte fur eine Frauenstimme): Full Orchestra Condensed Score

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Wesendonck Lieder, WWV 91: No. 5, Traume [orchestra transcription]: (Funf Gedichte fur eine Frauenstimme) Cover Image

Wesendonck Lieder, WWV 91: No. 5, Traume [orchestra transcription]: (Funf Gedichte fur eine Frauenstimme): Full Orchestra Condensed Score

By Richard Wagner, ed./arr. by Adolf Schmid

Item: 36-A680599

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Description
Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source of the poems, Mathilde Wesendonck. Mathilde was the wife of Wagner's patron Otto Wesendonck, and there is some speculation that Wagner and Mathilde had a love affair that inspired the opera Tristan und Isolde (which are referenced in two of the songs, calling them "studies" for Tristan und Isolde), but the idea that these songs were also inspired by the same possible affair is given less attention. They were written originally for female voice and piano between 1857 and 1858, though Wagner did orchestrate No. 5, Träume, for chamber orchestra to be played at Mathilde's window for her birthday on December 23, 1857. The remaining songs were orchestrated in 1893 by the Wagner conductor Felix Mottl. This edition of No. 5: Träume (Traeume; Dreams) is transcribed by the Adolf Schmid for orchestra alone with no solo voice. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Hp: Str (9.8.7.6.5 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810362-X
ISBN13: 979-889-810-3620
UPC: 605258697325
SKU: 36-A680599
Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Hp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Richard Wagner

Richard Wagner (1813-1883) revolutionized operatic form by blending music and drama into unified wholes, breaking from the compartmentalized structures of earlier composers. His harmonic innovations and use of leitmotif influenced generations of classical and film composers, and his orchestral writing remains among the most technically demanding and emotionally direct in the repertoire.

Why we love this

This transcription captures the intimate, longing character of Wagner's original orchestration without requiring a vocal soloist, giving orchestras access to one of the most graceful and melodically generous works in the Romantic canon. The arrangement preserves Wagner's lush harmonic language and transparent scoring while offering a manageable full orchestra context that rewards careful balance and phrase shaping.

What to expect

Träume unfolds as a waking dream, suspended in time. Gentle and introspective, it moves through soft harmonic shifts and tender melodic gestures that seem to float rather than stride, creating an atmosphere of yearning nostalgia and intimate reflection.

Who it's for

Orchestras seeking sophisticated Romantic-era repertoire that demonstrates Wagner's orchestration without the demands of opera production. This work suits advanced amateur and professional ensembles with strong string sections and the stamina for sustained lyrical playing.

How to get the most out of it

  • Honor the piece's chamber-like delicacy despite full orchestra instrumentation; resist the temptation to thicken texture or push dynamics beyond what the score indicates.
  • Shape the main melodic line as if a single lyrical voice were singing it, maintaining warmth and continuity through the string and wind transitions.
  • Balance the harp carefully as an accompaniment voice rather than letting it dominate the harmonic foundation; it should shimmer beneath, not anchor.

How to use it

Pair this with other 19th-century orchestral songs or transcriptions to create a concert focusing on the lied tradition beyond the vocal recital. It works beautifully as an entr'acte or as a contrasting middle work in a program that builds toward more dramatic Romantic or modern pieces.

Skills your students will build

  • Maintaining phrase continuity across instrumental transitions
  • Balance and blend in transparent, non-tutti scoring
  • Reading harp parts in coordination with orchestral accompaniment
  • Sustaining soft dynamics without loss of projection or tone quality

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