Welcome the Holidays!: SATB Choral Octavo
Words and music by Greg Gilpin
Item: 00-PO-0000410
Minimum order quantity: 20 copies
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About the Composer: Greg Gilpin

Greg Gilpin has established himself as one of the most frequently performed choral composers in the country, leading major ensembles at venues ranging from Carnegie Hall and Lincoln Center to the Sydney Opera House and Royal Festival Hall. An ASCAP award-winning composer and conductor, Gilpin brings both compositional sophistication and deep understanding of what works in the rehearsal room and on stage.
Beyond his choral work, Gilpin serves as Director of Educational Choral Publications for Shawnee Press and maintains an active presence as a recording producer and musician. His creative reach extends into film scoring and innovative arrangements, including a world premiere collaboration with celebrated opera singer Angela Brown. A member of ACDA, NAfME, and SAG-AFTRA, Gilpin remains committed to the choral music community while expanding his professional contributions across multiple disciplines.
Why we love this
Gilpin understands exactly what makes a holiday opener land. The modulating sections keep energy high while the jingle-like melodies stick immediately, requiring no lengthy rehearsal to shape into something concert-ready. The optional bell and chime accompaniment adds festive texture without overwhelming the singers, and the piece genuinely works whether you close a concert with it or lead into a longer holiday set.
What to expect
Bright, approachable, and genuinely festive without saccharine excess. The modulating sections create a sense of movement and discovery, while the jingle-like melodies give singers memorable material that audiences will leave humming.
Who it's for
Directors programming holiday concerts who need an opening or closing number that feels genuine without demanding weeks of rehearsal time. This works equally well for community choirs, school ensembles, and church programs seeking something catchier than traditional carols but grounded in real choral writing.
How to get the most out of it
- Highlight the rhythmic drive that carries each modulating section forward; this piece thrives on forward motion rather than careful phrasing, so encourage steady ensemble pulse over dynamic shaping.
- Lean into the brightness requested in the orchestration choices; the recorded accompaniment's bell elements will feel shallow if your singers don't match that sparkle with clear vowels and energized consonants.
- Shape the melodic contours in ways that feel conversational rather than precious; Gilpin's writing is inherently accessible, and overpolishing can drain the jingle-like character that makes it effective.
How to use it
Open your holiday concert with this piece to set an upbeat tone that signals fun is coming. The recorded accompaniment (optional SoundTrax CD) makes it equally valuable as a standalone performance vehicle or as a bridge between longer choral selections; its pizzazz-filled character works well adjacent to more reflective holiday repertoire.
Skills your students will build
- Singing through key modulations with secure intonation
- Maintaining rhythmic precision during modulating sections
- Achieving clarity and brightness in ensemble vowel production
- Balancing melody and rhythm-driven text delivery
- Responding to recorded accompaniment cues