Wedding March Cover Image

Wedding March: Brass Quartet Score & Parts

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Wedding March Cover Image

Wedding March: Brass Quartet Score & Parts

By Felix Mendelssohn / arr. David Marlatt

Item: 81-BQ42922

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Description
This piece is one of the most popular processionals for brides. It has been used in countless wedding services, movies and television programs.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 10
ISBN10: 1-55473-360-X
ISBN13: 978-1-55473-360-6
UPC: 685462013616
SKU: 81-BQ42922
Instrumentation: Brass Quartet

More about this title

About the Composer: Felix Mendelssohn

Felix Mendelssohn (1809-1847) was a German composer whose gift for melody and structural clarity made him one of the most performed classical composers of the 19th century. His output spanned symphonies, concertos, chamber music, and vocal works, all marked by elegance and emotional directness. Mendelssohn's Wedding March, from his incidental music to A Midsummer Night's Dream, has become synonymous with the marriage ceremony itself; few pieces have achieved such cultural ubiquity while retaining their musical integrity.

As both composer and conductor, Mendelssohn shaped Romantic music by balancing lyrical invention with disciplined form. He championed Bach's rediscovery and held rigorous standards for composition and performance. For musicians and students, his music offers a gateway to understanding how melody and harmony can drive structural logic without sacrificing warmth or accessibility.

Why we love this

This arrangement captures everything that makes the original so enduring: soaring melodic lines, transparent harmonies, and a sense of ceremony that brass instruments convey naturally. Marlatt's scoring preserves Mendelssohn's counterpoint while giving each voice room to breathe in the quartet setting. Conductors and players love this arrangement because it delivers the unmistakable character of the Wedding March without overcomplication, making it equally suitable for weddings, concerts, and festival performances.

What to expect

Stately and luminous. The piece unfolds with the confidence of a procession, bright and forward-moving, yet never hurried. There is joy in the harmonic movement and ceremony in every articulation; hearing it played well feels like witnessing something genuinely important.

Who it's for

Brass quartet ensembles seeking a work that commands respect and delivers immediate impact in wedding ceremonies, concert settings, and festival competitions. This arrangement suits both advanced high school groups and college-level ensembles, offering enough musical substance to reward careful preparation while remaining within reach of dedicated players.

How to get the most out of it

  • Balance the melody with the underlying voices; the first trumpet carries the primary line, but the harmonic support from lower brass must remain present and alive throughout.
  • Shape the familiar opening phrase with architectural intent rather than rushing it. The phrase builds naturally, and letting that arc emerge prevents the piece from feeling rote.
  • Articulate crisply and consistently across all four voices, especially in the accompanimental passages, to maintain the processional's formal character.
  • Breathe as a unit during the phrase breaks and mark time through the transitions so that the ceremonial pace never wanders.

How to use it

Open a brass chamber concert with this to establish an elevated tone and signal to the audience that they are in capable hands. It also pairs naturally with other Romantic-era brass works or classical masterwork arrangements that celebrate melody and form. Beyond the concert hall, this arrangement serves weddings where the couple desires live brass instead of recorded processional music, and it is a natural choice for festival programming in the chamber categories.

Skills your students will build

  • Balancing melody and harmony in a four-part texture
  • Maintaining steady pulse and ensemble unity across a ceremonial form
  • Controlling dynamic shape in long, lyrical phrases
  • Collaborating within a small ensemble to achieve tonal blend and stylistic consistency
  • Reading and interpreting a well-known work while respecting its essential character

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