Wedding Day at Troldhaugen, Op. 65, No. 6 Cover Image

Wedding Day at Troldhaugen, Op. 65, No. 6: Brass Quintet Score & Parts

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Wedding Day at Troldhaugen, Op. 65, No. 6 Cover Image

Wedding Day at Troldhaugen, Op. 65, No. 6: Brass Quintet Score & Parts

By Edvard Grieg / arr. Christoph Gunzel

Level: Medium-Difficult

Item: 81-DBQ1635

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Description
"Wedding Day at Troldhaugen" was originally composed for piano and was included in the collection Lyric Pieces. This piece was written as a memorial of the 25th wedding anniversary of Edvard Grieg and his wife. The work's festive first section describes congratulations and best wishes that are given by the guests to the newlyweds; the second section is reflective and subdued. It has been scored here for a standard double brass quintet (with one trumpet player on flugel), percussion, and optional harp.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-333-3
ISBN13: 978-1-77157-333-7
UPC: 685462023349
SKU: 81-DBQ1635
Instrumentation: Double Brass Quintet, Percussion & Opt. Harp

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843, 1907) shaped Romantic music through his unflinching commitment to Norwegian identity and intimate musical expression. While his piano works form the backbone of his legacy, Grieg's gift for melody and harmonic color translates powerfully across any instrumentation, making his music endlessly adaptable for ensemble performance.

Greig composed this piece to commemorate his 25th wedding anniversary, pouring personal joy and reflection into music that celebrates love without sentimentality. His ability to shift between celebratory brilliance and quiet introspection within a single work reveals why his music continues to resonate across generations of musicians.

Why we love this

Gunzel's orchestration captures Grieg's emotional arc with impressive clarity across the brass quintet's registers. The festive opening gives brass players a chance to shine with direct melodic material, while the reflective middle section demands genuine musical maturity, the kind of interpretive depth that separates competent players from thoughtful musicians.

What to expect

The piece opens with sunlit warmth and genuine festivity; you hear Grieg's affection for celebration in every phrase. Then it withdraws inward, becoming introspective and tender, asking the ensemble to play with restraint and beauty before returning to light.

Who it's for

Intermediate-advanced brass quintets seeking repertoire with genuine emotional weight and concert appeal. This works equally well for regional festival programming and serious ensemble projects that want to move beyond standard brass quintet fare.

How to get the most out of it

  • Balance the brass choir carefully during the opening festive section; the harp (if used) will absorb some sonic space, so ensure melodic lines stay present without forcing tone.
  • Shape the dynamic arch of the reflective section with attention to phrase breathing rather than mechanical crescendos. Treat it like a vocalist would.
  • Coordinate the percussion's role with the conductor beforehand. Clarity of purpose matters more than complexity.
  • Let the harmonic color speak in the quieter passages. Grieg's voice-leading rewards listening.

How to use it

This arrangement bridges classical pops programming and substantive concert work. Use it as a centerpiece on a spring or holiday concert, or pair it with other Romantic-era orchestral transcriptions to build a compelling second half.

Skills your students will build

  • Balancing sustained harmonic writing across five independent voices
  • Executing stylistically appropriate dynamic shaping in Romantic music
  • Transitioning between contrasting emotional states without losing musical continuity
  • Collaborative tuning in sustained chords and block sonorities
  • Responding to optional harp accompaniment and adjusting blend accordingly

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