Wedding Day At Troldhaugen for Band Cover Image

Wedding Day At Troldhaugen for Band: Concert Band Conductor Score

$15.00 USD
Sale price  $15.00 USD Regular price 
Skip to product information
Wedding Day At Troldhaugen for Band Cover Image

Wedding Day At Troldhaugen for Band: Concert Band Conductor Score

By Edvard Grieg, ed./arr. L.P. Laurendeau/ Mark Rogers

Item: 36-50105379

$15.00
Shipped

One moment…

Description
Troldhaugen, or "knoll of the trolls," was the name given to the villa where Grieg lived from 1885 until his death. This work began as a piano piece intended to commemorate the 25th anniversary of his marriage. This band arrangement by Louis Philippe Laurendeau was based on an orchestration by Theodore Moses Tobani. This edition by Mark Rogers includes newly engraved full score and parts, and was created as a tribute to Percy Grainger, whose great love for Grieg's happiest music was a lifelong passion.

Wedding Day At Troldhaugen for Band: Concert Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: LudwigMasters Symphonic Band
Publisher: LudwigMasters
ISBN10: 979-889-810-7
UPC: 605258999665
SKU: 36-50105379
Instrumentation: Concert Band

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843-1907) was Norway's most celebrated composer and a central figure in establishing a distinctly Scandinavian voice in European classical music. His gift for melody and harmonic color made him a master of the character piece, and his piano works remain teaching standards across the world.

Grieg's music radiates emotional directness without sentimentality. He drew deeply from Norwegian folk traditions, modal harmonies, and the landscape of his homeland. For band directors, Grieg's works offer clarity of line, singable melodies, and the kind of lyricism that audiences instinctively connect with, qualities that make even a short piece feel complete and memorable.

Why we love this

This arrangement captures what makes Grieg's music so enduring: a melody that singers and players instinctively want to phrase with generosity, and harmonic movement that feels both inevitable and fresh. At Grade 4, it offers your ensemble the chance to perform a genuine masterwork rather than a student composition, building confidence in their musicianship while remaining fully accessible. The piece has contest and festival appeal without sacrificing the warmth that makes it memorable.

What to expect

Troldhaugen unfolds like a gentle wedding celebration viewed from a distance, intimate and joyful without theatrical excess. The melody is pure Grieg: singable and memorable, supported by warm harmonic colors that suggest both folk simplicity and sophisticated orchestration.

Who it's for

Concert bands performing at festival level will find a significant work that sits comfortably within the Grade 4 range while offering interpretive depth and audience appeal. This arrangement works equally well for advancing bands looking to build stylistic maturity and for experienced ensembles seeking repertoire with genuine artistic substance.

How to get the most out of it

  • Shape the main theme with a singing legato tone; the melody carries the emotional weight, and accompaniment figures should support rather than compete for attention.
  • Balance the parts carefully during harmonic shifts. Grieg's orchestration often floats important inner voices that need audibility without prominence.
  • Observe the structural clarity between sections. The repetition and key relationships provide natural architectural points; mark these in your score and communicate them to the band so phrasing feels intentional rather than mechanical.
  • Bring out the character of the work as celebratory rather than sentimental. This is a composer writing about happiness in his own life, not a funeral march dressed in major keys.

How to use it

Program this as a centerpiece of a spring concert celebrating art song and lyrical writing, or pair it with other Scandinavian works to create thematic programming. Its moderate length and festival appeal make it ideal for contests, while its genuine artistic merit ensures audiences leave remembering a real piece rather than a capable exercise.

Skills your students will build

  • Sustaining lyrical phrasing across entire sections without losing shape
  • Balance and blend in homophonic textures with distributed melodic content
  • Interpreting romantic-era harmonic language and voice leading
  • Maintaining musical direction through sectional repetition with subtle variation

You May Also Like