Wedding Album 2 - String Trio Cover Image

Wedding Album 2 - String Trio: Conductor Score

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Wedding Album 2 - String Trio Cover Image

Wedding Album 2 - String Trio: Conductor Score

By Lynne Latham

Grade: 3-4

Item: 36-52702160

$8.95
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Description
Scored for 2 Violins and Cello and includes optional Violin 2 for Viola. Titles include: Bach-Wachet auf, Arioso, and Sheep may Safely Graze; Schumann-Traumeri; Beethoven-Ode to Joy; Franck-Panis Angelicus; Mozart-Alleluja from Exultate Jubilate and Andante from Piano Concerto #21; and Tchaikovsky-Sleeping Beauty Waltz.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-156761-3
ISBN13: 978-1-62-156761-5
UPC: 660355076534
SKU: 36-52702160
Instrumentation: Violin 1, Violin 2 /Viola and Cello

More about this title

Why we love this

Latham has curated a genuinely useful collection that balances beloved classical repertoire with practical arranging for flexible instrumentation. The optional viola part means you can actually use this whether your trio is all strings or mixed, and the grade 3-4 level keeps the parts accessible without feeling watered down. Most directors reach for this because it solves the real problem of finding quality wedding and ceremonial music that ensembles can learn quickly and perform with confidence.

What to expect

Opening with Bach's chorale gives an immediate sense of ceremony and reverence, then the collection moves through intimate Romantic miniatures and well-loved classical moments. By the time you reach the Tchaikovsky waltz, the listener has traveled through centuries of musical styles while remaining in a warm, accessible musical space.

Who it's for

Directors programming strings for weddings, receptions, and ceremonial occasions who need music that sounds elegant without requiring advanced techniques. It's equally useful for school ensembles working at grade 3-4 level who want to expand beyond standard teaching repertoire into recognizable, substantial works.

How to get the most out of it

  • Balance the melody between violin 1 and the harmonic foundation of the cello; in pieces like the Sleeping Beauty Waltz, the accompanimental figures matter as much as the tune.
  • Work the Bach movements separately at first, then string them together as a small suite. The shift in character from the opening chorale to the intimate Arioso to the pastoral Sheep may Safely Graze gives you natural pacing and variety.
  • Lock in steady tempo during the Schumann Träumerei; the lyrical quality will emerge from phrasing, not from pulling the tempo. This movement shows whether your ensemble can sustain long lines together.
  • Use the Beethoven and Mozart selections to practice clean articulation and bright ensemble tone. These pieces sit well for string trios and reward crisp, unified attacks.

How to use it

This works beautifully as a standalone 20-30 minute concert or as prelude and processional music at ceremonies. You might also pull individual pieces for recital programs or use them to demonstrate string technique at a winter or spring concert.

Skills your students will build

  • Balancing melody and accompaniment in three-part writing
  • Sustaining long lyrical lines with consistent intonation
  • Transitions between contrasting musical styles and characters
  • Adapting to flexible instrumentation (reading the viola substitute part)
  • Ensemble unison and harmony across different registers

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