We Wish You a Merry Christmas Cover Image

We Wish You a Merry Christmas: Conductor Score

$15.00 USD
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We Wish You a Merry Christmas Cover Image

We Wish You a Merry Christmas: Conductor Score

Arranged by Arthur Harris

Item: 36-A723201

$15.00
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Description
This traditional English Christmas carol has been orchestrated and arranged for SATB choir and orchestra by Arthur Harris. The score/parts (A723290) and choral octavo (A723292) are available separately. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set): SATB Chor.

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Additional Details
Series: Arthur Harris Christmas Series - Kalmus
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887086-1
ISBN13: 978-1-63-887086-9
UPC: 660355115585
SKU: 36-A723201
Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set): SATB Chor

More about this title

Why we love this

Arthur Harris brings orchestral sophistication to a carol everyone knows, giving your ensemble room to breathe beyond the typical string reduction. The full woodwind and brass writing allows each section of the orchestra genuine musical weight, and the SATB choir sits naturally in the middle of the texture rather than floating on top of it.

What to expect

Expansive and warm without being maudlin. The orchestra unfolds the melody through multiple timbres, and when the choir enters, they're part of a conversation rather than the focal point. The arranging respects the carol's simplicity while surrounding it with intelligent orchestration.

Who it's for

Conductors working with advanced high school, college, or professional ensembles who want a Christmas concert opener with orchestral credibility. This score assumes strong musicianship across all sections of the orchestra and a choir comfortable blending into an ensemble setting rather than carrying the piece.

How to get the most out of it

  • Balance the harp carefully against the strings in the accompaniment figures; it should shimmer, not dominate.
  • Cue the choir entrances clearly in rehearsal, as they're integrated into the orchestral fabric rather than spotlit.
  • Let the three percussionists lock their parts together; the parts move independently and need tight coordination.

How to use it

Open your holiday concert with this, or place it strategically between heavier contemporary works to reset the room's energy. Because it's familiar to most audiences, the sophistication of the arrangement will land immediately and give your orchestra and choir a win before deeper repertoire.

Skills your students will build

  • Reading and conducting mixed ensembles (orchestra, choir, and harp combined)
  • Balance and transparency in densely voiced orchestral textures
  • Coordinating independent rhythmic figures across three or more percussionists
  • Conducting with the choir integrated rather than featured in the texture

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