We Wish You a Mambo Christmas Cover Image

We Wish You a Mambo Christmas: Concert Band Conductor Score

$10.00 USD
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We Wish You a Mambo Christmas Cover Image

We Wish You a Mambo Christmas: Concert Band Conductor Score

Arranged by Erik Morales

Grade: 5

Item: 98-B1457S

$10.00
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Description
Celebrate the holidays mambo-style! This stunning arrangement features authentic grooves using only those percussion instruments found in a typical Latin percussion ensemble. Optional piano and electric bass parts are included to make the piece even more engaging. After the piece moves into a more relaxed mambo feel, the music suddenly switches to double-time in a jaw-dropping transition that brings the piece to a fiery conclusion. This is one way to set your winter concert on fire!

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Additional Details
Series: FJH Symphonic Band
Publisher: The FJH Music Company, Inc.
UPC: 241444495636
SKU: 98-B1457S

More about this title

About the Composer: Erik Morales

Erik Morales

Erik Morales has spent his career bridging the gap between serious composition and accessible educational music. Born in New York City in 1966, he began arranging for his high school marching band in south Florida and never stopped; over 150 published works across wind, orchestral, jazz, and chamber settings now bear his name, performed in schools and concert halls worldwide.

A trumpet player by training, Morales studied composition at Florida International University and earned his degree from the University of Louisiana at Lafayette in 1989. His trumpet writing in particular has earned recognition, including first-place finishes at the 2006 and 2008 National Trumpet Competitions. He was inducted into the Louisiana Association for Jazz Education's Hall of Fame in 2016 and continues to accept commissions from schools and organizations across the country.

Why we love this

Morales understands that holiday concerts need energy and style, not just nostalgia. The authentic mambo groove here sits naturally in the band's hands because he writes for the actual percussion instruments your ensemble already owns, and that double-time pivot into the finale gives you a moment that audiences genuinely remember.

What to expect

Warm and celebratory, with the steady pulse and infectious groove of a mambo under your fingers. Then, without warning, the tempo doubles and everything accelerates into a rush of joy that sends the concert off with genuine excitement.

Who it's for

High school and strong middle school concert bands looking to program something festive that doesn't sound like every other holiday arrangement. Directors who want their students to experience authentic Latin percussion writing and the satisfaction of nailing a style that feels genuinely fun to perform.

How to get the most out of it

  • Lock the rhythm section first. The mambo foundation depends entirely on your drums and Latin percussion locking tight; rehearse them separately before bringing in the full band so that groove becomes unshakeable.
  • Balance the melody against the percussion textures. With so much rhythmic activity, brass and woodwinds need to sit cleanly on top without fighting for attention.
  • Build into that double-time transition deliberately. The contrast only lands if the first mambo section feels relaxed and grooved; resist the urge to push the tempo before it shifts.
  • Let the optional electric bass anchor the low end if your instrumentation allows it. The bass line will deepen the mambo feel and give your ensemble more confidence in the rhythm.

How to use it

Save this for the second half of your winter concert when audiences are settled and ready to move. It pairs well beside other contemporary holiday pops or as a closing opener that bridges into your more traditional selections, setting a tone of energy that carries through the rest of the program.

Skills your students will build

  • Latin percussion ensemble writing and performance practice
  • Syncopated rhythms and mambo feel in a concert band context
  • Maintaining groove under tempo and style changes
  • Balancing melody against complex rhythmic accompaniment
  • Double-time transitions and sudden harmonic acceleration

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