We Will Sing The World Whole Again Sheet Music Preview

We Will Sing The World Whole Again: 3-Part Mixed Choral Octavo

By Mark Burrows

Item: 35-DS01772961

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS01772961

More about this title

About the Composer: Mark Burrows

Mark Burrows

Mark Burrows composes for ensembles at every level, from youth choirs to advanced adult groups, and his works appear regularly on state festival and competition lists. His output reflects a consistent flow of commissions from diverse musical communities, including intergenerational festivals and specialized vocal programs. He holds degrees in music education from Southern Methodist University and conducting from Texas Christian University, and currently directs children's music ministries at FUMC in Fort Worth.

Based in Fort Worth, Texas, Burrows brings both pedagogical training and practical experience leading singers to his compositional work. His family includes his wife, Nina, and their two daughters, Emma and Grace.

Why we love this

Burrows writes with genuine warmth for 3-part mixed voicing, crafting lines that sit comfortably while still sounding composed and intentional. The text sets a statement of collective purpose that resonates without preaching, making it singable for groups who want their music to mean something. At 14 pages, this octavo offers substance without overwhelming rehearsal time.

What to expect

There's an undercurrent of hope threaded through the writing, with lines that want to lift and breathe. The piece carries weight without heaviness, inviting singers into genuine expression rather than performance.

Who it's for

This octavo suits choirs that want meaningful concert repertoire with accessibility. It works equally well for secondary ensembles, community choruses, and festival preparation where singers need something that builds musicianship without requiring advanced sight-reading.

How to get the most out of it

  • Balance the three parts so the soprano line doesn't dominate; use strategic dynamics to let inner voices carry the harmonic color.
  • Establish the text rhythm first across all three sections before layering in pitch, which helps everyone stay locked on the lyrical intent.
  • Shape phrases as complete thoughts rather than measure-by-measure units; this keeps the "whole again" concept from feeling fragmented.

How to use it

Place this in a program where you're building thematic coherence around resilience, unity, or renewal. It also pairs well as a closer to a concert segment featuring lighter or more complex work, offering singers and listeners a moment of affirmation that feels earned.

Skills your students will build

  • Sustaining long phrases with consistent breath control across three independent parts
  • Balancing ensemble blend when not doubled by other vocal sections
  • Interpreting text with intention in a secular concert setting
  • Maintaining independence within a 3-part harmonic texture

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