We Will Sing Sheet Music Preview

We Will Sing: 2-Part Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00262361

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00262361

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw holds degrees in Music Education and Choral Composition from San Jose State University and earned his DMA in Choral Conducting from the University of Washington. His reputation as a clinician and educator spans across 45 states and six countries, where he has consistently brought humor, musical depth, and infectious energy to every session he leads.

With over 2500 choral arrangements and compositions in print, Shaw has established himself as one of the most prolific voices in choral music. His work has been performed globally and has exceeded 19 million copies sold. Beyond his arranging legacy, he founded and directed acclaimed vocal jazz ensembles at multiple institutions, studied vocally with legends like Bobby McFerrin and Al Jarreau, and continues to create new works, including a recent commission for the Mormon Tabernacle Choir.

Why we love this

Shaw brings his characteristic accessibility and musicality to this 2-part setting, creating an arrangement that sits comfortably for mixed abilities while maintaining genuine harmonic interest. The piece functions as a standalone statement without demanding technical gymnastics, making it ideal for building confidence in developing singers. His prolific output means you're getting an arranger who deeply understands what works in rehearsal and what resonates with performers.

What to expect

The music has an accessible warmth that draws listeners in without pretense. Two-part writing creates space for each voice to contribute meaningfully while maintaining the unity of collective singing.

Who it's for

This octavo suits choirs at any level seeking repertoire that affirms without overwhelming. Middle school through community choirs benefit from the straightforward voicing, while the arrangement's musical substance keeps more advanced singers engaged.

How to get the most out of it

  • Balance the two parts by having singers mark where the melody shifts between soprano and alto lines; this prevents one part from dominating and keeps the texture clear.
  • Shape the phrase endings with intention; even in a short octavo, deliberate releases create polish and engage the audience.
  • Encourage singers to listen across parts during rehearsal, not just their own line. This builds ensemble awareness and improves intonation in the harmonic context.

How to use it

Use this as a concert opener that sets a welcoming tone and builds ensemble confidence, or pair it with other Shaw arrangements to showcase his distinctive choral voice. It also works well as a festival or community event piece where you want something that performs well with limited rehearsal time.

Skills your students will build

  • Singing in two-part harmony with secure voice leading
  • Listening across parts to maintain blend and intonation
  • Shaping musical phrases with intention and awareness of harmonic rhythm

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