We've Only Just Begun Sheet Music Preview

We've Only Just Begun: E-Z Play Today

As performed by Carpenters

Item: 35-DS00450602

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$4.99
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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00450602

More about this title

About the Artist: Carpenters

The Carpenters defined the soft pop sound of the 1970s with their distinctive close harmonies and meticulously arranged productions. Richard and Karen Carpenter brought orchestral sophistication to radio-friendly melodies, creating a catalog that remains central to American popular music. Their influence on vocal blend, arrangement density, and emotional restraint continues to shape how musicians approach pop standards today.

Why we love this

This is one of the Carpenters' signature pieces, and its arrangement here distills the song's charm into an accessible piano format without sacrificing the sophistication that made the original resonate across generations. Students encounter genuine melodic craftsmanship paired with harmonic language that teaches voice leading and accompaniment texture naturally, making it a repertoire choice that rewards careful listening as much as it does playing.

What to expect

Intimate and optimistic. The song unfolds with quiet confidence, as if confiding something tender. The harmonic palette feels warm without being overstuffed, creating space for the melody to speak clearly while the piano provides gentle support.

Who it's for

Pianists building a repertoire of accessible standards will find this arrangement direct and playable within a reasonable time frame. This works equally well for students exploring song interpretation, wedding musicians seeking familiar material, or anyone wanting to learn a piece with genuine musical substance at an intermediate level.

How to get the most out of it

  • Shape the opening melody with gentle dynamic contours rather than playing it straight. The song's warmth comes from subtle emphasis on lyrical peaks, which gives the simple melody dimension.
  • Balance the accompaniment so it supports rather than competes with the melody line. This is a great opportunity to practice texture awareness and hand independence.
  • Lean into the harmonic movement during the bridge section. These chords drift in directions that add emotional color, so let them breathe with slight rubato if the arrangement permits.

How to use it

Pair this with other 1970s popular standards to create a thematic concert segment that bridges classical and contemporary repertoire. It works beautifully in a spring recital or as a palate cleanser between more demanding works, and its accessible charm makes it ideal for community outreach performances where familiar material connects with non-specialist audiences.

Skills your students will build

  • Balancing melody and accompaniment across hand positions
  • Playing with dynamic sensitivity in a simple melodic context
  • Understanding diatonic harmony and its emotional effects
  • Interpreting popular song structure and phrase architecture

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