We Three Kings: 2nd Percussion Sheet Music Preview

We Three Kings: 2nd Percussion

Arranged by John M. Pasternak

Grade: 3.5

Item: 98-PC-RWS1920_PC2

Digital Download
$3.99
Description
This contemporary setting of "We Three Kings" is sure to liven your holiday concert. Featuring cleverly syncopated rhythms, a clarinet section feature, and a driving percussion section, John Pasternak's creative arrangement will find a place in your regular holiday concert repertoire. Highly recommended!

Original Item#: RWS-1920-00

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Additional Details
Series: RWS - Symphony Band
Publisher: RWS Music Company
SKU: 98-PC-RWS1920_PC2

More about this title

About the Arranger: John M. Pasternak

John M. Pasternak is an accomplished arranger and composer whose work spans concert band, wind ensemble, and orchestral settings. His arrangements are known for balancing accessibility with musical substance, making them popular choices for school and community ensembles seeking fresh takes on familiar material.

Why we love this

Pasternak respects the carol's melody while completely reconceiving its rhythmic landscape. The syncopated writing feels contemporary without losing the tune's immediate recognizability, and the clarinet section feature gives your clarinet players a genuine spotlight moment rather than a throwaway solo.

What to expect

The piece strikes an energetic, modern tone while keeping the hymn's essential spirituality intact. Clever rhythmic displacement and active percussion writing create forward momentum that feels contemporary and alive, yet the familiar melody anchors everything in the carol's timeless warmth.

Who it's for

This arrangement works well for Grade 3.5 concert bands that have solid fundamental skills and are ready to tackle syncopated writing without sacrificing blend and balance. It's equally effective for community and adult bands seeking modern holiday repertoire with substance.

How to get the most out of it

  • Lock the syncopated rhythms in rehearsal by having the band tap the pattern before adding pitch. Unison rhythm work prevents the syncopation from sounding sloppy or tentative.
  • Shape the clarinet feature with dynamic clarity; it's the emotional anchor of the piece, so ensure that section has room to breathe and phrase independently from the rest of the band.
  • Balance the percussion section carefully. The driving rhythms support the arrangement's energy, but they shouldn't overwhelm the harmonic voices underneath.
  • Use the tempo marking as your baseline, but allow slight flexibility when the syncopated figures need clarity. A conductor's steady hand is more important than metronomic perfection here.

How to use it

Open your holiday concert with this piece to set an upbeat, contemporary tone, or use it mid-concert as a palate cleanser between more traditional arrangements. It pairs naturally with other modern takes on holiday standards and signals to your audience that your band isn't confined to conventional holiday programming.

Skills your students will build

  • Reading and executing syncopated rhythmic figures
  • Balancing featured and supporting parts within an ensemble texture
  • Interpreting a familiar melody through contemporary rhythmic language
  • Managing rhythmic precision across the full band while maintaining musicality

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