We, the Children of America Cover Image

We, the Children of America: Unison Choral Octavo

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We, the Children of America Cover Image

We, the Children of America: Unison Choral Octavo

Music by Sandy Feldstein

Item: 00-7434

$1.40
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Description
A super addition to your younger group's patriotic repertoire. Add the optional concert band and/or string orchestra for a special combined performance. The Alfred SuperTrax features the Kids-R-Us Choir and concert band arrangement.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081011073
SKU: 00-7434

More about this title

About the Composer: Sandy Feldstein

Sandy Feldstein is a prolific composer and arranger whose work spans education, wind band, and choral music. His output includes hundreds of pieces written specifically for younger and developing ensembles, earning him recognition as a major voice in accessible music education. Feldstein's strength lies in creating engaging, performable arrangements that don't compromise musical integrity, and his compositions for youth choirs and bands have become standards in school music programs across North America.

Why we love this

Feldstein writes patriotic music that actually excites young singers. The unison voicing means your ensemble can focus on confident, clear tone production and lyrical phrasing without navigating complex harmonies, but the piece still carries genuine musical weight. The option to expand with band or strings (or both) transforms a straight choral performance into a full-ensemble event, making this one piece do serious work across your concert calendar.

What to expect

Straightforward and stirring. The piece conveys genuine patriotic feeling without sentimentality, letting young voices own the melody with clarity and pride. There's a sense of collective voice and purpose that resonates with performers and audiences alike.

Who it's for

This unison octavo is ideal for middle school choirs, younger high school groups still building confidence, and combined youth ensembles pulling singers from multiple schools. It works especially well if your singers have limited reading experience or mixed ranges, since everyone sings the same line and the focus stays on ensemble unity and expressive singing.

How to get the most out of it

  • Anchor the melody with your strongest singers in the middle of the voicing; encourage them to project without straining so the unison line feels unified across the section.
  • If you're adding band or orchestra accompaniment, rehearse the choir separate from the ensemble first to lock in the unison intonation, then layer in the instrumental parts gradually.
  • Shape the phrase with dynamic sensitivity. Young singers often sing through to the end without breath or musical intention; mark clear breathing spots and ask them to "speak the text" before singing it, which clarifies the emotional arc.
  • Record a rehearsal on your phone and play it back. Unison pieces expose tuning issues immediately, and hearing themselves in context helps singers self-correct faster than external feedback.

How to use it

This belongs in your spring or early summer patriotic programming, and it's a natural choice for community events, memorial services, or Fourth of July celebrations. If you have a concert band or string orchestra program in your building, seize the chance to program this as a combined ensemble finale; the coordination challenges are modest, but the musical payoff transforms the concert moment.

Skills your students will build

  • Unified unison intonation across a full choir section
  • Sustained phrase singing with intentional dynamic shaping
  • Text clarity and diction in English patriotic literature
  • Ensemble blend and listening to singers around them
  • Confidence performing without harmonic support

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