We Sing The Almighty Power Of God: Choral Instrumental Pak
By John Leavitt
Item: 35-PK00162217
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About the Composer: John Leavitt
John Leavitt has earned recognition as a composer and arranger with a gift for making music that resonates in worship and concert settings. His work balances accessibility with musical sophistication, crafting pieces that engage both singers and listeners without requiring virtuosic technical demands.
Why we love this
Leavitt's setting breathes new life into a text that matters to congregations without requiring them to abandon the hymn's spiritual identity. The rhythmic energy he brings makes this piece feel contemporary and alive, creating a genuine moment of lift rather than another predictable hymn arrangement.
What to expect
This is music that moves forward with purpose and warmth. The new tune carries genuine uplift while honoring the gravity of the text, creating a sound that feels both fresh and rooted in hymn tradition.
Who it's for
Worship directors and choir leaders looking to refresh their sacred music offerings will find this setting inviting for mixed chamber choirs. The accessible voicing works well for congregational singing contexts where you want trained singers to lead without creating a performance spectacle.
How to get the most out of it
- Keep the rhythmic vitality crisp and forward; this tune thrives on energy rather than lingering on individual syllables.
- Balance the chamber voicing so text clarity wins out; with a smaller ensemble, every word carries weight.
- Let the instrumental parts breathe alongside the voices; they should feel like conversation partners, not just accompaniment.
How to use it
Include this as a worship anthem that invites congregational participation, or use it as a concert opener that sets a thoughtful, forward-moving tone. At roughly two minutes, it pairs naturally with other sacred works or functions as a meaningful standalone moment in a mixed program.
Skills your students will build
- Singing hymn text with rhythmic precision and musical phrasing
- Balancing ensemble sound in chamber voicing
- Coordinating with instrumental accompaniment
- Sustaining vocal line clarity when singing in smaller group settings