(We're Gonna) Rock Around the Clock Cover Image

(We're Gonna) Rock Around the Clock: Piano Sheet

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(We're Gonna) Rock Around the Clock Cover Image

(We're Gonna) Rock Around the Clock: Piano Sheet

Words and music by Max C. Freedman and Jimmy De Knight / arr. Carol Matz

Level: Late Elementary

Item: 00-28019

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Description
"One, two, three o'clock, four o'clock rock . . . " Fun and rhythmic, this late elementary arrangement by Carol Matz is ideal for piano students who are looking for something upbeat and dance-like. Fingering, phrasing, and lyrics are included.

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Additional Details
Series: Simply Pop Series
Publisher: Alfred Music
Page Count: 4
UPC: 038081307077
SKU: 00-28019

More about this title

About the Composer: Max C. Freedman

Max C. Freedman co-wrote "(We're Gonna) Rock Around the Clock" with Jimmy De Knight in 1952, creating one of the earliest rock and roll standards. The song became a cultural phenomenon when it appeared in the 1955 film "Blackboard Jungle" and remains a cornerstone of early rock history, covered by countless artists across generations.

Freedman's contribution to popular music helped define the sound of 1950s rock and roll at a pivotal moment when the genre was emerging as a dominant force in American culture. His songwriting legacy continues to resonate in music education, where this iconic piece introduces students to a foundational chapter of rock history.

Why we love this

Carol Matz's arrangement captures the infectious energy of this rock and roll classic while keeping the technical demands appropriate for late elementary pianists. The inclusion of fingering, phrasing markings, and lyrics transforms what could feel intimidating into an accessible, confidence-building experience. Students get to play genuine rock history without compromising musicality or their developing technique.

What to expect

The driving rhythm and bright energy of the original song translate into a performance that feels contemporary and fun, even though the song dates to 1952. There's a natural infectious quality to the piece: once students grasp the groove, the music almost plays itself, creating a sense of ease and joy at the keyboard.

Who it's for

Late elementary pianists ready to explore popular music and rock and roll in a structured, playable arrangement. Students motivated by upbeat, recognizable melodies will thrive with this piece, and the dance-like character makes it rewarding for ensemble performance or studio recitals.

How to get the most out of it

  • Keep the rhythm driving forward without rushing. The groove of rock and roll depends on steady, relaxed articulation rather than mechanical precision.
  • Coordinate hands with the rhythmic feel rather than mechanical counting. Listen to how the original recording sits in the pocket, then mirror that looseness on the keyboard.
  • Color the repeated sections by varying your touch and dynamic approach. The same ostinato pattern can feel fresh when you adjust the weight and clarity of each phrase.
  • Let the lyrics guide your phrasing and interpretation. Singing or speaking the words aloud during practice helps shape the natural flow at the keyboard.

How to use it

Program this piece in a studio recital or group performance to showcase the diversity of your piano students' repertoire and introduce audiences to rock and roll's historic roots. It pairs naturally with other popular or folk-inspired arrangements and gives students a performance opportunity that feels modern and engaging while building technique.

Skills your students will build

  • Steady rhythm and groove recognition in rock and roll style
  • Hand coordination across repeated harmonic patterns
  • Phrasing and dynamic control over longer phrases
  • Sight-reading of fingering markings and articulation symbols
  • Connecting lyrics to keyboard interpretation and timing

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