We're Back (from Moana 2) (arr. Matt Conaway) Sheet Music Preview

We're Back (from Moana 2) (arr. Matt Conaway): Marching Band Conductor Score & Parts

Arranged by Matt Conaway / Arranged by Pam Nave

Grade: 3

Item: 35-PK01633984

Digital Download
$65.00

Buy Extra Parts (Digital PDF Download)

Product Price Quantity
We're Back (from Moana 2) (arr. Matt Conaway) - Conductor Score (Full Score) $8.00
We're Back (from Moana 2) (arr. Matt Conaway) - Flute/Piccolo $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Bb Clarinet $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Eb Alto Sax $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Bb Tenor Sax $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Eb Baritone Sax $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - 1st Bb Trumpet $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - 2nd Bb Trumpet $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - 3rd Bb Trumpet $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - F Horn $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Bb Horn/Flugelhorn $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - 1st Trombone $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - 2nd Trombone $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Baritone B.C. $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Baritone T.C. $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Tuba $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Electric Bass $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Marimba $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Snare Drum $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Cymbals $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Quad Toms $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Multiple Bass Drums $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Aux Percussion $6.00
We're Back (from Moana 2) (arr. Matt Conaway) - Timpani $6.00

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Description
A grooving arrangement of the hit song from the smash hit Disney sequel that will be a favorite of your percussion section. Also a great choice for parades.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK01633984

More about this title

About the Arranger: Matt Conaway

Matt Conaway has built a reputation as an arranger who understands what works on the field and in the stands. His arrangements balance accessibility with musicality, making contemporary repertoire work for marching ensembles across all competitive and non-competitive levels.

Why we love this

Conaway captures the infectious groove of the original without overcomplicating the parts, which means your entire ensemble stays locked in together. The percussion writing alone makes this worth the download; your battery and front ensemble get genuinely fun material that drives the whole arrangement forward.

What to expect

The arrangement radiates forward momentum and confidence. You get that swaying, rhythmic vitality of the film's track balanced with clear melodic moments that sing over a rock-solid percussive foundation.

Who it's for

Marching bands looking for accessible, energetic contemporary material that engages both performers and audiences. Grade 3 arrangers can field this successfully while maintaining the groove that makes the original so appealing.

How to get the most out of it

  • Keep the groove pocket tight in the opening vamp. The longer your ensemble sits in that feel before the melody enters, the more confident they'll sound when it does.
  • Balance the melodic voices against the rhythmic foundation. Percussion should pulse the groove clearly enough for the winds to lock onto without dominating.
  • Mark clear cut-offs and releases with your whole band so transitions between sections feel intentional rather than accidental.

How to use it

This works beautifully as a parade opener or a lighter piece in a full concert set, especially if you're programming other Disney or contemporary film repertoire. Its approachable grade level makes it ideal for mid-season shows when your ensemble has stamina and consistency.

Skills your students will build

  • Maintaining groove over multiple sections
  • Layering rhythmic and melodic textures
  • Marching in a syncopated swing feel
  • Listening to and locking with the rhythm section
  • Balancing parts in an ensemble texture

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