We're All In This Together (from High School Musical) (arr. Alan Billingsley): SATB Choral Octavo

Alan Billingsley's arrangement captures the infectious optimism of this anthem while giving your SATB choir room to shine. The part-writing sits comfortably for mixed voices without sacrificing the song's contemporary edge, making it accessible for developing ensembles while remaining engaging for experienced singers. It's the kind of piece that reminds students why they joined choir in the first place.

Infectious and unironic. The arrangement radiates the kind of youthful determination that originally made the song stick in listeners' ears, channeling that spirit through four-part harmony. Your singers will feel the momentum of solidarity and purpose from the first note.

Any SATB choir looking for contemporary repertoire with genuine crowd appeal. Directors seeking bridging material between classical standards and modern musical theater will find this particularly useful; it affirms students' cultural touchstones while developing core choral skills.

• Establish a clear tempo and lock the groove from the first rehearsal. This arrangement thrives on rhythmic precision across all four parts, so consistent counting and subdivision pay immediate dividends.
• Balance the soloistic moments in the upper voices against the supportive harmonic foundation of the lower sections. Separate rehearsals allow each section to understand both its independence and its role in the larger texture.
• Shape the dynamic arc around the melodic peaks rather than holding a single volume level. The song's emotional arc depends on carefully plotted crescendos and releases that build toward the final chorus.

This works beautifully as a concert closer or an opener that sets an uplifting tone. Consider pairing it with other film or contemporary music selections to create a thematic set, or use it strategically in a spring concert program where you need a moment of pure audience connection. It's substantial enough (15 pages) to anchor a segment while remaining immediately gratifying to perform.

• Rhythmic precision in contemporary pop-influenced meters
• Blend and balance within a four-part homophonic texture
• Dynamic shaping and phrasing in musical theater style
• Confidence with melismatic passages and rhythmic subdivisions