We Need A Little Christmas (from Mame) (arr. Mark Hayes): 2-Part Choral Octavo

Hayes understands how to preserve the warmth and singability of a beloved Broadway tune while making it accessible to younger or less experienced choirs. The 2-part voicing opens this classic to singers who might not yet handle four or eight parts, without sacrificing the harmonic sophistication that makes the arrangement rewarding to conduct and hear.

Infectious and joyful, with just enough theatrical flair to remind singers they're inhabiting a character's moment of hope. The arrangement captures the Broadway original's optimism while remaining grounded in genuine melody.

Middle school and high school choirs looking for a full-bodied holiday offering that doesn't require large voice sections. Adult community choirs and church programs will also find this an excellent fit for December programming.

• Balance the part writing so neither line dominates. Hayes writes both voices with melodic interest, so resist the urge to push the lower part into accompaniment territory.
• Let the text drive your phrasing. The lyrics capture real urgency about needing joy in December, so rhythmic precision matters less than conveying that emotional sincerity.
• Consider doubling the parts with piano or small instrumental ensemble if your singers need extra support. Hayes's arrangements often work beautifully with modest orchestration.

Pair this with a traditional carol or hymn to create an engaging holiday concert arc that moves between sacred reverence and secular celebration. Its 11-page length makes it substantial enough to anchor a concert's middle section without overwhelming a single concert slot.

• Singing parts with distinct melodic lines (avoiding the accompaniment mindset in 2-part writing)
• Phrasing and text expression from musical theater repertoire
• Blend and balance in limited voice configurations
• Stylistic awareness of Broadway idiom within choral writing