We Lift Our Hands: Choral Instrumental Pak
By Freddy Rodriguez / Arranged by Dave Williamson
Item: 35-PK00134495
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Why we love this
Rodriguez crafts a contemporary sacred work that honors gospel tradition without requiring specialized vocal technique or extensive rehearsal time. The orchestral setting elevates the piece beyond a typical choral arrangement, giving it concert presence while keeping the vocal writing accessible for mixed ensembles.
What to expect
A joyful, celebratory statement rooted in gospel warmth and contemporary harmonic language. The piece radiates affirmation and uplift, with orchestral textures that deepen the emotional reach of the text while maintaining an intimate, heartfelt core.
Who it's for
Choirs performing at worship services, concert settings, or festivals where contemporary sacred music resonates with audiences. This arrangement works for intermediate to advanced high school choirs and collegiate ensembles seeking material with both spiritual depth and modern musicality.
How to get the most out of it
- Balance the choir against the orchestra by rehearsing first without accompaniment to establish solid vocal blend, then layer in the instrumental parts gradually.
- Let the natural swing and rhythmic freedom of the gospel idiom breathe; avoid metronomic precision in favor of ensemble cohesion and lyrical phrasing.
- Highlight the instrumental colors by considering how your string and wind players can support emotional peaks in the text without overwhelming the singers.
How to use it
Position this as a centerpiece for a contemporary or spirituals concert, or as the closing number on a program mixing classical and modern sacred works. It pairs naturally with other gospel-influenced pieces and serves equally well in worship contexts where contemporary expression deepens congregational connection.
Skills your students will build
- Singing with rhythmic flexibility within a metered framework (swing feel and syncopation)
- Blend and balance between choir and orchestral accompaniment
- Interpreting contemporary harmonic language rooted in jazz and gospel idioms
- Expressive text delivery in a non-classical vocal style
- Ensemble responsiveness to instrumental color and arrangement texture