We Go Together (from Grease) (arr. Ed Lojeski): SATB Choral Octavo

Lojeski captures the infectious joy of this Grease classic while writing idiomatic choral lines that let singers feel like they're performing the song, not just singing notes. The arrangement honors the original's charm without requiring a pit band, making it genuinely fun to rehearse and perform.

Bouncy, optimistic, and impossible to resist. The arrangement carries the carefree spirit of the original while giving singers harmony lines that feel natural in the voice and lyrics that land with clarity and warmth.

This arrangement works beautifully for treble, mixed, or all-male choirs looking for accessible Broadway material with genuine performance appeal. Any choir comfortable with straightforward rhythmic reading and contemporary harmony will find this rewarding.

• Emphasize the rhythmic precision of the opening sections; the momentum of this piece depends on locked ensemble rhythm, particularly in the soprano and alto lines.
• Let the bass and tenor parts drive the harmonic foundation during the verse passages. Their accuracy will determine how clearly the progression reads.
• Shape the dynamics to build energy toward the final chorus. Restrain yourself in earlier repetitions so the climax has room to grow.
• Keep diction clear and bright throughout, especially in rapid text passages. The piece's energy comes partly from crisp articulation of the lyrics.

Program this as a concert closer when you want to send audiences out smiling, or use it as part of a pop/musical theater medley that appeals to broader audiences. It's also a perfect choice for pops concerts, variety shows, or spring performances where you want something contemporary and engaging.

• Singing sustained harmonies in close voicing without losing pitch integrity
• Balancing rhythmic precision with musical phrasing in contemporary music
• Clarity of diction in rapid text passages
• Ensemble blend and balance across SATB texture